[54] On June 8, 1808, Beethoven offered the Mass in C to Breitkopf and Härtel, along with the fifth and sixth symphonies and the sonata for pianoforte and violoncello, Op. 69, for 900 florins. He wrote: “I do not like to say anything about my mass or myself, but I believe I have treated the text as it has seldom been treated.” The answer of Breitkopf and Härtel is not of record, but to the offer which it contained, Beethoven replied on July 16 with a letter in which he offered the mass, two symphonies, the sonata for ’cello and two other pianoforte sonatas (or in place of these, “probably” another symphony) for 700 florins. Then he says: “You see that I give more and take less--but that is the limit; ~you must take the mass, or I cannot give you the other works~--for I am considering honor and not profit merely. ‘There is no demand for church music,’ you say, and you are right, if the music comes from mere thorough-bassists, but if you will only have the mass performed once you will see if there will not be music-lovers who will want it.... I will guarantee its success in any event.” In a third letter, without date, which throws light on the well-nigh insuperable difficulties experienced by a famous composer a century or so ago in securing the publication of a large ecclesiastical work, Beethoven says: “To the repeated proposal made by you through Wagener, I reply that I am ready ~to relieve you of everything concerning the mass--I make you a present of it, you need not pay even the cost of copying~, firmly convinced that if you once have it performed in your winter concerts at Leipsic you will surely provide it with a German text and publish it.... The reason for my having wished to bind you to publish this mass is ~in the first place and chiefly because it is dear to my heart~ and in spite of the coldness of our age to such works.” A later letter (of date April 5, 1809) to Breitkopf and Härtel shows that the gift of the mass was not accepted. Beethoven changed its dedication several times. On October 5, 1810, he wrote to Breitkopf and Härtel that it was dedicated to Zmeskall; on October 9, 1811, he gives notice that a change in the dedication would have to be made because “the woman is now married and the name must be changed; let the matter rest, therefore, write to me when you will publish it and then the work’s saint will doubtless be found.” Eventually the “saint” proved to be Prince Kinsky. Chapter VII The Year 1808--Beethoven’s Brother Johann--Plans for New Operas--The “Pastoral Symphony” and “Choral Fantasia”--A Call to Cassel--Appreciation in Vienna. [Sidenote: SLANDERS AGAINST JOHANN VAN BEETHOVEN] The history of the year 1808 must be preceded by the following letter to Gleichenstein: Dear good Gleichenstein: