[76] See Reichardt’s “Vertraute Briefe, geschrieben auf einer Reise nach Wien und den Österreichischen Staaten zu Ende das Jahres 1808 und zu Anfang 1809,” under date November 30, December 5, December 10, December 16, December 25, December 31, 1808, and January 15, March 6, March 27 and No. 37 (without date), 1809. Chapter X The Year 1810--Decrease in Productivity--Beethoven’s Project of Marriage--Therese Malfatti--Bettina von Arnim and Her Correspondence with Goethe--The Music to “Egmont”--Productions of the Year. The topics last under notice have carried us far onward, even to the last years of Beethoven. We now return to the end of 1809--to the master in the full vigor and maturity of his powers. The last months of this year had been marked by an untiring and efficient industry; his sketchbooks abounded in the noblest themes, hints and protracted studies for orchestral, chamber and vocal compositions; and several important works--among them the Seventh Symphony--were well advanced. The princes, whose generosity had just placed him, for the present at least, beyond the reach of pecuniary anxieties, may well have expected the immediate fulfillment of “the desire that he surpass the great expectations which are justified by his past achievements.” They were bitterly disappointed. Kinsky did not live to hear any new orchestral work from that recently so prolific pen; Lobkowitz, whose dissatisfaction is upon record, heard but three; while the Archduke saw the years pass away comparatively fruitless, hardly more being accomplished in ten, than formerly in two--the marvellous year 1814 excepted. The close of 1809 terminated a decade (1800-1809) during which--if quality be considered, as well as number, variety, extent and originality--Beethoven’s works offer a more splendid exhibition of intellectual power than those of any other composer produced within a like term of years; and New Year, 1810, began another (1810-19), which, compared with the preceding, exhibits an astonishing decrease in the composer’s productiveness. The contrast is rendered more striking by the fact that many of the principal works completed in the second decade belong in plan and partly in execution to the first.