In these passages we have the substance of a large portion of the famous third of the Beethoven-Bettina letters. Are they an abstract of that letter or is the letter an expansion of them? In other words, the question is forced upon us: Is that letter authentic? The last paragraph of the Pückler letter affords a decisive answer: “Afterward Beethoven came running to ~us~ and told us everything, and was as happy as a child at having teased Goethe so greatly, etc., etc.” Who were they to whom Beethoven came running? They are named in Herr Hiekel’s list of visitors: Ludwig (Achim) von Arnim, his young wife Bettina Brentano and Frau von Savigny, her sister! In the pseudo-letter we read: “Yesterday we met the entire imperial family.” Therefore, if the letter to Pückler be true--and it bears all the marks of being so--and if the other be authentic, Beethoven is made to relate the story one day and write a long letter containing it to the same person the next! It follows: when such a letter in Beethoven’s well-known handwriting shall be seen and accepted as authentic by competent judges, its genuineness may be conceded but, henceforth, until then, never.[103] [Sidenote: BEETHOVEN AND AMALIE VON SEBALD] Beethoven returned to Teplitz with no amelioration, but rather an increase of his maladies, and was compelled to remain until near or perhaps quite the end of September. To his great satisfaction, he found there the young lady who had so powerfully attracted him the previous summer. The character of their renewed acquaintance is sufficiently obvious from the series of notes following, which are given in the order which appears to correspond best with their contents. Teplitz, September 16, 1812. For Amalie von Sebald: Tyrant--I? Your tyrant? Only a misapprehension can lead you to say this even if your judgment of me indicated no agreement of thought with me! But no blame to you on this account; it is rather a piece of good fortune for you--yesterday I was not wholly well, since this morning I have grown worse; something indigestible was the cause, and the irascible part of me appears to seize upon the bad as well as the good; but do not apply this to my moral nature; people say nothing, they are only people; they generally see only themselves in others, and that is nothing; away with this, the good, the beautiful needs no people. It is here without help and that, after all, appears to be the reason of our agreement. Farewell, dear Amalie; if the moon shines brighter for me this evening than the sun by day you will see with you the least of men. Your friend Beethoven.