The Life of Ludwig van Beethoven, Volume IIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume II
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
The same, in general and in most of its particulars, was related to
the author by Carl Stein, who was daily in Mälzel’s rooms--they being,
as before noted, in his father’s pianoforte manufactory--and who was
firmly of the opinion, that Mälzel was afterwards very unfairly, not to
say unjustly, treated by Beethoven in the matter of this composition.
The composer himself says: “I had already before then conceived the
idea of a battle which was not practicable on his Panharmonica,” thus
by implication fully admitting that ~this~ idea was not his own;
moreover, the copy of a part of the Panharmonicon score, in the Artaria
Collection, has on the cover, in his own hand: “On Wellington’s Victory
at Vittoria, 1813, written for Hr. Mälzel by Ludwig van Beethoven.”
This is all more or less confirmatory of Moscheles, if indeed any
confirmation be needed. It is almost too obvious for mention, that
Mälzel’s share in the work was even more than indicated above, because
whoever wrote for the Panharmonicon must be frequently instructed by
him as to its capacities and limitations, whether a Beethoven or the
young Moscheles. We may reasonably assume, that the general plan of
“Wellington’s Victory” was fixed during the composer’s occasional
visits to the city in August and September, and such alterations in
the score determined upon as the nature of the instrument demanded; so
that early in October the whole was ready for Mälzel to transfer to its
cylinder.
On Beethoven’s return to his city lodging, between the 15th and
20th of September, his notes to Zmeskall become as usual numerous,
the principal topic just now being the engagement of a new servant.
While with the assistance and under the direction of the excellent
Streichers, Beethoven got his lodgings and wardrobe into decent
order, with the aid of Zmeskall he obtained that servant spoken of by
Schindler,
who was a tailor and carried on his trade in the anteroom of the
composer. With the help of his wife he attended the master with
touching care till into the year 1816--and this regulated mode of
life did our friend much good. Would that it might have endured a
few years longer.
Public-domain text, read in full here on John Shaqi.
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