write a new overture for the projected Prague performance. No doubt Beethoven was convinced, soon after the revival in 1806, that the third “Leonore” was too long and too severe a piece for its purpose; he was still of that opinion when he revised the opera for the revival of 1814, as is evidenced by his composing the “Fidelio” overture in E, and, more than that, consenting to the use of the overture to “The Ruins of Athens” at the first performance. Mr. Thayer was quite as capable of judging of the value of the evidence in the case as his editors; he was familiar with Nottebohm’s contention; and in his history of the year 1807 he unhesitatingly sets down the overture known as “Leonore, No. 1” as that designed for Prague. There is no new evidence so far as this writer knows which could justify a reversal of the opinion which has prevailed amongst musical scholars since 1872. [36] Frimmel, in his “Beethoven” (second edition, 1893 p. 42), tells the story in essentially the same manner on the authority of a grandson of Dr. Weiser, house physician of Prince Lichnowsky; Dr. Weiser’s version had previously been printed by Franz Xaver Bach in the “Wiener Deutsche Zeitung” of August 31, 1873. In both cases the story ends with Beethoven’s sending a letter to Lichnowsky containing this passage: “Prince, what you are you are by accident and birth; what I am I am through myself. There have been and will still be thousands of princes; there is only one Beethoven.” Authentic or not, the expression might well have come from the lips of Beethoven in a fit of anger. [37] Thomson’s memory was a little at fault when this preface was written; the proposal was made to Beethoven before Haydn’s death. [38] But on March 27, 1806, Beethoven offered the Concerto to Hoffmeister and Kühnel together with “Christus am Ölberg” for 600 florins. The work, if not completed, must have been well under way early in the year. Chapter V Beethoven’s Friends and Patrons in the First Lustrum of the Nineteenth Century--An Imperial Pupil, Archduke Rudolph--Count Rasoumowsky--Countess Erdödy--Baroness Ertmann--Marie Bigot--Therese Malfatti--Nanette Streicher--Zizius--Anecdotes.