The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
When news of this fact became known in Vienna, a
number of Beethoven’s friends addressed him in the following memorial:
[Sidenote: AN ADDRESS TO THE COMPOSER]
To Herrn Ludwig van Beethoven.
Out of the wide circle of reverent admirers surrounding your genius
in this your second native city, there approach you to-day a small
number of the disciples and lovers of art to give expression to
long-felt wishes, timidly to prefer a long-suppressed request.
But as the number of spokesmen bears but a small proportion to the
many who joyfully acknowledge your worth and what you have grown
to be to the present as well as the future, so the wishes and
requests are by no means restricted to the number of those who are
like-minded with themselves and who, in the name of all to whom
art and the realization of their ideals are something more than
means and objects of pastime, assert that their wish is also the
wish of an unnumbered multitude, their request is echoed loudly or
in silence by every one whose bosom is animated by a sense of the
divine in music.
It is the wish of those of our countrymen who reverence art to
which we desire more especially to give expression; for though
Beethoven’s name and creations belong to all contemporaneous
humanity and every country which opens a susceptible bosom to art,
it is Austria which is best entitled to claim him as her own. Among
her inhabitants appreciation for the great and immortal works which
Mozart and Haydn created for all time within the lap of their home
still lives, and they are conscious with joyous pride that the
sacred triad in which these names and yours glow as the symbol of
the highest within the spiritual realm of tones, sprang from the
soil of their fatherland. All the more painful must it have been
for you to feel that a foreign power has invaded this royal citadel
of the noblest, that above the mounds of the dead and around the
dwelling-place of the only survivor of the band, phantoms are
leading the dance who can boast of no kinship with the princely
spirits of those royal houses; that shallowness is abusing the name
and insignia of art, and unworthy dalliance with sacred things is
beclouding and dissipating appreciation for the pure and eternally
beautiful.
For this reason they feel a greater and livelier sense than
ever before that the great need of the present moment is a new
impulse directed by a powerful hand, a new advent of the ruler in
his domain. It is this need which leads them to you to-day, and
following are the petitions which they lay before you in behalf of
all to whom these wishes are dear, and in the name of native art.
Public-domain text, read in full here on John Shaqi.
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