The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
On our return [from the walk] we had dinner at two o’clock. It
was a most curious one and so plentiful that dishes came in as we
came out, for, unfortunately, we were rather in a hurry to get to
the stage coach by four, it being the only one going to Vienna
that evening. I overheard Beethoven say, “We will try how much the
Englishman can drink.” _He_ had the worst of the trial. I gave
him my diamond pin as a remembrance of the high gratification I
received by the honour of his invitation and kind reception and he
wrote me the following droll canon as fast as his pen could write
in about two minutes of time as I stood at the door ready to depart.
[Illustration: Ars longa vita brevis]
“Written on the 16th of September, 1825, in Baden, when my dear
talented musical artist and friend Smart (from England) visited me
here.
Ludwig van Beethoven.”
[Sidenote: A VISITOR FROM AMERICA]
Smart left Vienna on his return journey to London on September 20.
Three months later Beethoven received a visit from one who must have
raised more curious questionings in his mind than did the brilliant
young Englishman. With Smart he had corresponded years before. Smart
had produced his oratorio and his “Wellington’s Victory” in England
and conducted the first performance in London of his Ninth Symphony;
there were direct bonds of sympathy between them. The other visitor
brought a message of appreciation from across the wide Atlantic. It
was Theodore Molt, evidently a German or a man of German birth, who,
a music teacher in Quebec, was making a European tour and gained the
privilege of telling Beethoven to his face how greatly he admired him,
then asked the favor of a souvenir which he could carry back on a
journey of “3,000 hours” as a precious keepsake. For him, on December
16, Beethoven wrote the canon, “Freu dich des Lebens” (Ges. Aus. Series
XXV, 285, 5).[143]
To this period belongs an anecdote which is almost a parallel of one
related by Zelter to Goethe. It was told[144] by Mittag, a bassoon
player who had taken part in a performance of the Septet at a concert
on December 11. Going home one evening, Mittag stepped into a tavern
known as “Zum Dachs” to drink a glass of beer. Smoking was not allowed
in the place and there were few guests. In a corner, however, sat
Beethoven in the attitude of one lost in thought. After Mittag had
watched him a few minutes he jumped up and called to the waiter: “My
bill!” “Already paid!” shrieked the waiter in his ear. Mittag, thinking
that Beethoven ought not to be left alone, followed him without
betraying himself and saw him enter his house safely.
Public-domain text, read in full here on John Shaqi.
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