The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
again were there a disposition in any quarter to do so. For the present
the story of the Quartets during Beethoven’s lifetime may be pursued
as it is disclosed by records in the Conversation Books and so much of
the correspondence as has been preserved.
In February, 1826, one of the Quartets, perhaps both of them, had been
sent to St. Petersburg by special courier. (“Everything written by
Beethoven ought to be sent to its destination by special courier,” is
one of Schuppanzigh’s magnificent remarks when the question of sending
the Quartet to the Prince is under discussion.) The money did not
come and Beethoven grew impatient and anxious. Karl tried to reassure
him. The Prince had written _Je vais_, he remarks in the Conversation
Book, plainly referring to a letter dated January 14, 1826, in which
Prince Galitzin had said: “_Je vais faire remettre à M. Stieglitz_
(his banker) _la valeur de 75 ducats pour vous être remis par M.
Fries; 50 pour le quatuor et 25 pour l’ouverture qui est magnifique
et que je vous remercie beaucoup de m’avoir dédiée_.” Still the money
did not come. In the middle of May Holz reports to Beethoven that a
letter had been received from the courier, whose name was Lipscher.
He had called on Prince Galitzin, who had begged to be excused; “he
had not time--call another day.” He had repeated the visit five or six
times, but each time was denied an audience on one pretext or another.
Finally, he had bribed a domestic with five florins and found his
way to the Prince, who seemed greatly embarrassed, fumbled amongst
his scores for a time and then asked him to come again before his
departure and he would give him the money. The courier had added that
he considered it a “Russian trick” but that he was not to be disposed
of so easily. Lipscher would be back in Vienna in four or five days,
Holz added, and advised Beethoven to await his coming before writing
to him. Schindler, a short time after, gives his views in a style
characteristic of his attitude toward Beethoven during the period of
Holz’s factotumship: “The matter of the Prince Galitzin is getting
critical and I wish you a happy outcome. If you had obeyed me he would
have had only one quartet and with that _basta_. You never permitted
yourself to be deceived by flattery as you have by this princely
braggart.” Again: “_Voila_, the letter to Count Lebzeltern (Russian
Ambassador) and the banker Stieglitz. They can go to-day as it is great
postday. What more is there to be considered? Wait, and wait--and no
results. Breuning is agreed. If Prince Galitzin could act in such
contradiction to his letters nothing good is to be expected of him.”
At a later date there came another letter from the courier. He had
tried seven times to see the Prince, but all in vain. Later (it was now
July) he had gone again; the Prince had been polite, but denied him
admittance. Still later in the same month Karl tells his uncle that he
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