The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
three sonatas and the last two. The Sonata in E belongs unquestionably
to the year 1820. The first theme is found in the Conversation Book of
April, and the work was sketched before he began the _Benedictus_ of
the mass and while he was at work on this movement, the _Credo_, the
_Agnus Dei_ and the Bagatelles for Starcke. Before the end of the year
Archduke Rudolph received the manuscript for his collection. It was
dedicated to Maximiliane Brentano,[37] and published in November, 1821,
by Schlesinger in Berlin.
Beethoven has himself left data concerning the other two sonatas. On
the autograph of that in A-flat major, Op. 110, he wrote the date
“December 25, 1821.” Sketches for it follow sketches for the _Agnus
Dei_ of the mass, which were begun in 1820.[38] It was published
by Schlesinger in Berlin and Paris in 1822. There is evidence in a
memorandum to Schindler found among the latter’s papers, and also in a
letter to Schlesinger of 1823, that Beethoven intended to dedicate both
of the last two sonatas to Madame Brentano. “Ries-nichts” (“nothing
to Ries”), says the memorandum, significantly. Ideas utilized in the
C minor Sonata, Op. 111, are found amongst those for Op. 110 and
particularly among some for the _Agnus Dei_. The autograph bears the
date January 13, 1822,[39] and it is plain that most of the work was
done in 1821. It was published by Schlesinger in April, 1823, after
Beethoven had offered it to Peters of Leipsic. Corrections for these
three sonatas occupied a great deal of time; the engraving of the
French edition of the C minor was so faulty that Beethoven demanded
proof copies three times; twice his call was granted, the third time
it was refused.[40] This Sonata, Op. 111, was dedicated to Archduke
Rudolph. Beethoven had left the matter to Schlesinger, but he afterward
made a suggestion as to his wishes, for in a letter to the Archduke
on June 1, 1823, he writes: “Y. I. H. seemed to find pleasure in
the Sonata in C minor, and therefore I feel that it would not be
presumptuous if I were to surprise you with its dedication.”
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