The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
There are few other compositions of these two years to ask attention,
the Canons and five Bagatelles having been mentioned. There is a song,
“Abendlied unter dem gestirnten Himmel,” words by Heinrich Göbel, the
original manuscript of which bears date March 4, 1820, and which was
published as a supplement to the “Modenzeitung” on March 28, 1820,
with a dedication to Dr. Braunhofer.[41] The twenty-five Scotch Songs,
Op. 108, were published in 1821 by Schlesinger. The performances of
Beethoven’s works in Vienna in 1820 and 1821 are quickly summed up. The
Gesellschaft der Musikfreunde performed the “Eroica” on February 20,
the C minor on April 9 and the F major on November 19. The Overture
in C, Op. 115, was played at a concert for the benefit of Widows and
Orphans on April 16, 1820. In the _Concerts spirituels_, conducted
by F. X. Gebauer in the season 1820-21, the Symphonies in C minor,
A major, and F major, and the Oratorio “Christus am Ölberg,” were
performed. Leopoldine Blahetka, a young woman of 18 who was creating
something of a furore by her pianoforte playing at the time, played the
Concerto in B-flat on April 3, having studied it with J. Czerny.
FOOTNOTES:
[24] “Two things fill the soul with ever new and increasing wonder
and reverence the oftener the mind dwells upon them--the starry sky
above me and the moral law within me.”--Kant’s “Criticism of Practical
Reason.”
[25] The greeting was in the form of a four-part canon beginning with
a short homophonic chorus, the words: “Seiner Kaiserlichen Hoheit! Dem
Erzherzog Rudolph! Dem geistlichen Fürsten! Alles Gute, alles Schöne!”
The autograph is preserved by the Gesellschaft der Musikfreunde in
Vienna. B. and H. Ges. Aus. Series XXIII, page 187.
[26] The reader who desires to read the documents in full is referred
to the German edition of this biography for the decrees and minutes
of the courts and to the Kalischer-Shedlock collection of letters for
Beethoven’s pleadings.
[27] 11 Dr. Deiters remarks on this point: “No doubt Beethoven had
hoped to attain his ends by general statements and thus spare himself
the shame and humiliation which would have followed had he presented
the truth, even in disguise, touching the lewdness and shameless life
of his own sister-in-law; and her legal advisers and the members of the
Magisterial Court knew how to turn this fact to their own advantage.”
[28] Made to Thayer.
[29] Here, as in several other cases, in which opinions only and
not definitely ascertained facts are concerned, the present Editor
is inclined to attach as much importance to Thayer’s judgment as
to that of his critics and revisers. Thayer’s working copy of his
“Chronologisches Verzeichniss,” which contains annotations of a
much later date than Nottebohm’s publication in the “Thematisches
Verzeichniss” which he edited for Breitkopf and Härtel, pays no
attention to Nottebohm’s conclusion.
[30] See the letter in the Kalischer-Shedlock Coll. II, 178.
[31] Thayer.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account