The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
want the Mass I am agreed, but I do not want you to lose anything by
it.” Matters are not yet straightened out at Steiner’s, as appears
from a letter which he encloses. Meanwhile the Josephstadt Theatre
has given him work to do which will be quite burdensome, in view of
his cure, Staudenheimer having advised him to take baths of one and a
half hour’s duration. However, he already had written a chorus with
dances and solo songs;[61] if his health allows, he will also write
a new overture. On October 6, he addresses his brother in a jocular
mood: “Best of little Brothers! Owner of all the lands in the Danube
near Krems! Director of the entire Austrian Pharmacy!” The letter
contains a proposition for Steiner concerning the Josephstadt Theatre
music. Steiner has two numbers already and has advertised one of them;
there are eight numbers left, including an overture. These Steiner can
have at the following rates: the overture 30 (perhaps he could get 40
ducats); four songs with instrumental accompaniment, 20 ducats each;
two wholly instrumental numbers, 10 ducats each:--total, 140 ducats.
If “King Stephen” is wanted there are twelve numbers of which four are
to be reckoned at 20 ducats each, the others at 10 ducats and one at 5
ducats--_summa summarum_ 155 ducats. “Concerning the new overture, you
may say to them that the old one could not remain, because in Hungary
the piece was given as a postlude, while here the theatre was opened
with it.... Ponder the matter of the Mass well, because I must answer
Simrock; unless you lose nothing, I beg of you not to undertake it.”
The story of the music composed and adapted for the Josephstadt Theatre
will be told in the chronological narrative of incidents belonging
to the year; as for the Mass let it be noted that after Johann had
expressed a desire to take it in hand we hear nothing more of the
correspondence with Peters for a long time. The autograph score was
ready; Beethoven had it copied, but continued making alterations in it;
not until the next year was it delivered into the hands of the Archduke
and new efforts made towards its publication.
Public-domain text, read in full here on John Shaqi.
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