The Life of Ludwig van Beethoven, Volume IIIThayer, Alexander Wheelock
History
The Life of Ludwig van Beethoven, Volume III
Thayer, Alexander Wheelock
Beethoven, Ludwig van, 1770-1827
After a performance of Meisl’s drama “1722, 1822, 1922,” the audience
having departed, the director was called to the festively decorated
and illuminated stage, and surrounded by his company in gala dress.
A poetical address was read to him by the stage-manager. After he
had gone back to his lodgings, the orchestra and chorus serenaded
him, the programme consisting of an overture to “The Prodigal Son” by
Chapelmaster Drechsel, a concerto for flute by Chapelmaster Gläser,
and what Bäuerle’s “Theaterzeitung” called “a glorious new symphony”
composed for the occasion by Beethoven, the whole ending with the
march and chorus from Mozart’s “Titus.” The “new symphony” was the
“Gratulatory Minuet” of which mention has been made. Nothing is said
in the accounts about Beethoven’s presence at the serenade, and as
“Fidelio” was performed that night at the Kärnthnerthor Theatre, his
absence might easily be explained. On the next day[67] Hensler gave a
dinner in the property-room of the theatre at 3 p.m. Beethoven, Gläser,
Bäuerle, Gleich, Meisl, Hopp and others were present. Beethoven had
a seat directly under the musical clock. Gläser told Reubl (Reichl?)
who provided the entertainment to set the clock to the overture to
“Fidelio” and then wrote to Beethoven to listen, as he would soon hear
it. Beethoven listened and then said: “It plays it better than the
orchestra in the Kärnthnerthor.”
The “Gratulatory Minuet” was offered to Peters in the letter of
December 20. Beethoven was evidently eager to realize quickly on a work
which had cost him but little labor--the product of a period in which
his fancy seemed to have regained its old-time fecundity and he his
old-time delight in work. He offered it elsewhere and gave a copy (the
one that he misdated) to Archduke Rudolph for his collection. Artaria
published it in 1835 under the title “Allegretto (Gratulations-Menuet)”
with a dedication to Carl Holz. The title on the autograph reads:
“Tempo di Minuetto quasi Allegretto.” “Allegro non troppo” was
originally written but was scratched out and “Gratulations-Menuet”
written in its place.
[Sidenote: UNABLE TO CONDUCT “FIDELIO”]
Public-domain text, read in full here on John Shaqi.
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