At this period the King made a journey into Limousin, at the head of a body of troops, in order to overawe the malcontents in that province; and while at Orleans he withdrew the seals from Pomponne de Bellièvre, in order to bestow them upon Sillery, the former, however, retaining the empty title of Chief of the Privy Council. The pretext for this substitution was the failing health of the Chancellor, but it was generally attributed to the influence of Madame de Verneuil, in whose fortunes M. de Sillery had always exhibited as lively an interest as he had previously done in those of the Duchesse de Beaufort. Let it, however, have arisen from whatever cause it might, it is certain that the veteran statesman deeply felt the indignity which had been offered to him. Thus Bassompierre asserts that when he shortly afterwards visited M. de Bellièvre at Artenay, and that the indignant minister commented with considerable bitterness upon his recent deprivation, he vainly endeavoured to reconcile him to the affront by reminding him that he was still in office, and would preside at all the councils as chancellor, but Bellièvre immediately replied with emphasis: "My friend, a chancellor without seals is an apothecary without sugar." [316] On the 10th of February the Queen gave birth to a second daughter[317] in the palace of the Louvre, to her extreme mortification, the astrologers whom she had consulted having assured her that she was about to become the mother of a Prince. The citizens of Paris were, however, delighted, as no royal child had been born in the capital for a great length of time;[318] while the princes and nobles, throughout the whole of the following month, vied with each other in their efforts to entertain their Majesties, and to cause them to forget their disappointment. It would appear, indeed, that Marie herself soon became reconciled to the sex of the infant Princess, as Bassompierre has left it upon record that even before she was sufficiently recovered to leave her room she used to send for him to play cards with her, an invitation which was always welcome to the handsome and dissipated courtier.[319] She no sooner appeared in public, however, than other and more brilliant amusements were provided for her, consisting of jousts and banquets, Italian comedies and Court balls; but all these were exceeded in interest by a ballet that was performed on horseback in the great court of the Louvre, which had been thickly strewn with sand and surrounded by barriers, save at one opening opposite the seats prepared for their Majesties, through which the four nobles by whom the entertainment had been devised were to enter with their respective trains from the Hôtel de Bourbon.