What followed upon Michelangelo's arrival in Rome may be told in Condivi's words: "Having reached Rome, many months elapsed before Julius decided on what great work he would employ him. At last it occurred to him to use his genius in the construction of his own tomb. The design furnished by Michelangelo pleased the Pope so much that he sent him off immediately to Carrara, with commission to quarry as much marble as was needful for that undertaking. Two thousand ducats were put to his credit with Alamanni Salviati at Florence for expenses. He remained more than eight months among those mountains, with two servants and a horse, but without any salary except his keep. One day, while inspecting the locality, the fancy took him to convert a hill which commands the sea-shore into a Colossus, visible by mariners afar. The shape of the huge rock, which lent itself admirably to such a purpose, attracted him; and he was further moved to emulate the ancients, who, sojourning in the place peradventure with the same object as himself, in order to while away the time, or for some other motive, have left certain unfinished and rough-hewn monuments, which give a good specimen of their craft. And assuredly he would have carried out this scheme, if time enough had been at his disposal, or if the special purpose of his visit to Carrara had permitted. I one day heard him lament bitterly that he had not done so. Well, then, after quarrying and selecting the blocks which he deemed sufficient, he had them brought to the sea, and left a man of his to ship them off. He returned to Rome, and having stopped some days in Florence on the way, when he arrived there, he found that part of the marble had already reached the Ripa. There he had them disembarked, and carried to the Piazza of S. Peter's behind S. Caterina, where he kept his lodging, close to the corridor connecting the Palace with the Castle of S. Angelo. The quantity of stone was enormous, so that, when it was all spread out upon the square, it stirred amazement in the minds of most folk, but joy in the Pope's. Julius indeed began to heap favours upon Michelangelo; for when he had begun to work, the Pope used frequently to betake himself to his house, conversing there with him about the tomb, and about other works which he proposed to carry out in concert with one of his brothers. In order to arrive more conveniently at Michelangelo's lodgings, he had a drawbridge thrown across from the corridor, by which he might gain privy access."