While Michelangelo was living and working at Florence, Bramante had full opportunity to poison the Pope's mind in Rome. It is commonly believed, on the faith of a sentence in Condivi, that Bramante, when he dissuaded Julius from building the tomb in his own lifetime, suggested the painting of the Sistine Chapel. We are told that he proposed Michelangelo for this work, hoping his genius would be hampered by a task for which he was not fitted. There are many improbabilities in this story; not the least being our certainty that the fame of the Cartoon must have reached Bramante before Michelangelo's arrival in the first months of 1505. But the Cartoon did not prove that Buonarroti was a practical wall-painter or colourist; and we have reason to believe that Julius had himself conceived the notion of intrusting the Sistine to his sculptor. A good friend of Michelangelo, Pietro Rosselli, wrote this letter on the subject, May 6, 1506: "Last Saturday evening, when the Pope was at supper, I showed him some designs which Bramante and I had to test; so, after supper, when I had displayed them, he called for Bramante, and said: 'San Gallo is going to Florence to-morrow, and will bring Michelangelo back with him.' Bramante answered: 'Holy Father, he will not be able to do anything of the kind. I have conversed much with Michelangelo, and he has often told me that he would not undertake the chapel, which you wanted to put upon him; and that, you notwithstanding, he meant only to apply himself to sculpture, and would have nothing to do with painting.' To this he added: 'Holy Father, I do not think he has the courage to attempt the work, because he has small experience in painting figures, and these will be raised high above the line of vision, and in foreshortening (i.e., because of the vault). That is something different from painting on the ground.' The Pope replied: 'If he does not come, he will do me wrong; and so I think that he is sure to return.' Upon this I up and gave the man a sound rating in the Pope's presence, and spoke as I believe you would have spoken for me; and for the time he was struck dumb, as though he felt that he had made a mistake in talking as he did. I proceeded as follows: 'Holy Father, that man never exchanged a word with Michelangelo, and if what he has just said is the truth, I beg you to cut my head off, for he never spoke to Michelangelo; also I feel sure that he is certain to return, if your Holiness requires it.'" This altercation throws doubt on the statement that Bramante originally suggested Michelangelo as painter of the Sistine. He could hardly have turned round against his own recommendation; and, moreover, it is likely that he would have wished to keep so great a work in the hands of his own set, Raffaello, Peruzzi, Sodoma, and others.