New England -- Social life and customs -- Fiction; Women -- New England -- Fiction
The town of Dulham was not used to seeing foreigners of any sort, or
to hearing their voices in its streets, so that it was in some sense a
matter of public interest when a Canadian family was reported to have
come to the white house by the bridge. This house, small and
low-storied, with a bushy little garden in front, had been standing
empty for several months. Usually when a house was left tenantless in
Dulham it remained so and fell into decay, and, after some years, the
cinnamon rose bushes straggled into the cellar, and the dutiful grass
grew over the mound that covered the chimney bricks. Dulham was a
quiet place, where the population dwindled steadily, though such
citizens as remained had reason to think it as pleasant as any country
town in the world.
Some of the old men who met every day to talk over the town affairs
were much interested in the newcomers. They approved the course of the
strong-looking young Canadian laborer who had been quick to seize upon
his opportunity; one or two of them had already engaged him to make
their gardens, and to do odd jobs, and were pleased with his quickness
and willingness. He had come afoot one day from a neighboring town,
where he and his wife had been made ill by bad drainage and factory
work, and saw the little house, and asked the postmaster if there were
any work to be had out of doors that spring in Dulham. Being assured
of his prospects, he reappeared with his pale, bright-eyed wife and
little daughter the very next day but one. This startling promptness
had given time for but few persons to hear the news of a new neighbor,
and as one after another came over the bridge and along the road there
were many questions asked. The house seemed to have new life looking
out of its small-paned windows; there were clean white curtains, and
china dogs on the window-sills, and a blue smoke in the chimney--the
spring sun was shining in at the wide-open door.
Public-domain text, read in full here on John Shaqi.
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