written later, it was probably the invention of Josephine herself.[62] [Footnote 61: Given in Aubenas: Histoire de l'impératrice Joséphine, I, 293. This writer is frankly not an historian but an apologist.] [Footnote 62: Coston: Premières années de Napoléon Bonaparte.] The divinity who could awaken such ardor in a Napoleon was in reality six years older than her suitor, and Lucien proves by his exaggeration of four years that she certainly looked more than her real age. She had no fortune, though by the subterfuges of which a clever woman could make use she led Buonaparte to think her in affluent circumstances. She had no social station; for her drawing-room, though frequented by men of ancient name and exalted position, was not graced by the presence of their wives. The very house she occupied had a doubtful reputation, having been a gift to the wife of Talma the actor from one of her lovers, and being a loan to Mme. Beauharnais from Barras. She had thin brown hair, a complexion neither fresh nor faded, expressive eyes, a small retroussé nose, a pretty mouth, and a voice that charmed all listeners. She was rather undersized, but her figure was so perfectly proportioned as to give the impression of height and suppleness. Its charms were scarcely concealed by the clothing she wore, made as it was in the suggestive fashion of the day, with no support to the form but a belt, and as scanty about her shoulders as it was about her shapely feet. It appears to have been her elegance and her manners, as well as her sensuality, which overpowered Buonaparte; for he described her as having "the calm and dignified demeanor which belongs to the old régime."