Yet such were the conditions under which the literature of France struggled and pined. Her poets, a band sadly thinned already by the guillotine, sang in forced and hollow strains until the return of royalism begat an imperialist fervour in the soul-stirring lyrics of Béranger: her philosophy was dumb; and Napoleonic history limped along on official crutches, until Thiers, a generation later, essayed his monumental work. In the realm of exact and applied science, as might be expected, splendid discoveries adorned the Emperor's reign; but if we are to find any vitality in the literature of that period, we must go to the ranks, not of the panegyrists, but of the opposition. There, in the pages of Madame de Staël and Chateaubriand, we feel the throb of life. Genius will out, of its own native force: but it cannot be pressed out, even at a Napoleon's bidding. In vain did he endeavour to stimulate literature by the reorganization of the Institute, and by granting decennial prizes for the chief works and discoveries of the decade. While science prospered, literature languished: and one of his own remarks, as to the desirability of a public and semi-official criticism of some great literary work, seems to suggest a reason for this intellectual malaise: "The public will take interest in this criticism; perhaps it will even take sides: it matters not, as its attention will be fixed on these interesting debates: it will talk about grammar and poetry: taste will be improved, and our aim will be fulfilled: _out of that will come poets and grammarians_." And so it came to pass that, while he was rescuing a nation from chaos and his eagles winged their flight to Naples, Lisbon, and Moscow, he found no original thinker worthily to hymn his praises; and the chief literary triumphs of his reign came from Chateaubriand, whom he impoverished, and Madame de Staël, whom he drove into exile. * * * * *