Bracciolini, Poggio, 1380-1459; Italy -- History -- 1268-1492
Whilst the power and activity of the pontiff’s enemies seemed to throw a
considerable degree of uncertainty upon the future destiny of the father
of the faithful, Poggio appears to have made preparations permanently
to fix his own residence in the Tuscan territory. With this view he
purchased a villa in the pleasant district of Valdarno. It appears from a
letter addressed by Beccatelli, of Palermo, to Alphonso, king of Naples,
that Poggio raised a part of the fund necessary for the making of the
purchase by the sale of a manuscript of Livy, written with his own hand,
and for which he obtained the sum of one hundred and twenty florins of
gold.[248] In the choice of the situation of his intended mansion, he was
guided by that love of rural retirement which is generally experienced
by men of contemplative minds, who are compelled by the nature of their
occupation to engage in the active scenes of society. To him who has been
distracted by the bustle and tumult of a court, whose spirits have been
jaded by the empty parade of pomp, and whose ingenuous feelings have been
wounded by the intrigues of ambition, the tranquil pleasures and innocent
occupations of a country life appear to possess a double charm.
Whilst Poggio was thus providing for himself a place of peaceful
retirement, he received from the administrators of the Tuscan government
a testimony of respect, equally honourable to the givers and to the
receiver. By a public act, which was passed in his favour, it was
declared, that whereas he had announced his determination to spend his
old age in his native land, and to dedicate the remainder of his days to
study; and whereas his literary pursuits would not enable him to acquire
the property which accrued to those who were engaged in commerce, he and
his children should from thenceforth be exempted from the payment of all
public taxes.[249]
The fortune of Poggio was, indeed, still very small, and consequently
his villa could not vie in splendour with the palaces of the Tuscan
aristocracy; but he wisely attempted to compensate by taste what he
wanted in magnificence. In pursuance of this design he rendered his
humble mansion an object of attention to the lovers of the liberal arts,
by the treasures of his library, and by a small collection of statues,
which he disposed in such a manner as to constitute a principal ornament
of his garden, and the appropriate furniture of an apartment which he
intended to dedicate to literary conversation.[250]
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