The Life of Samuel Taylor Coleridge: 1838Gillman, James
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The Life of Samuel Taylor Coleridge: 1838
Gillman, James
Coleridge, Samuel Taylor, 1772-1834; Critics -- Great Britain -- Biography; Poets, English -- 19th century -- Biography
Those who in this life 'love' in perfection--if such there be--in
proportion as their love has no struggles, see God darkly and through
a veil:--for when duty and pleasure are absolutely coincident, the
very nature of our organization necessitates that duty, will be
contemplated as the symbol of pleasure, instead of pleasure being (as
in a future life we have faith it will be) the symbol of duty. This
then is the distinction between human and angelic 'happiness'. Human
happiness--humanly happy I call him, who in enjoyment finds his duty;
angelically happy he, who seeks and finds his 'duty' in enjoyment.
Happiness in general may be defined--not the aggregate of pleasurable
sensations, for this is either a dangerous error and the creed of
sensualists, or else a mere translation or wordy paraphrase--but the
state of that person who, in order to enjoy his nature in its highest
manifestations of conscious 'feeling', has no need of doing wrong, and
who in order to do right is under no necessity of abstaining from
enjoyment."
On the arrival of the new secretary at Malta, Mr. Coleridge left it,
September 27, 1805, and after a day's voyage, arrived at Syracuse. He
remained in Sicily a short time only, for he was eager to visit the
"eternal city" (Rome,) in which he staid some months. The next date
marking his progress, is the 15th December, 1806, Naples,--the usual
place of the residence of travellers during summer. [7] This gap in his
minutes is partly filled up by his own verbal account, repeated at
various times to the writer of this memoir. While in Rome, he was
actively employed in visiting the great works of art, statues, pictures,
buildings, palaces, &c. &c. observations on which he minuted down for
publication. Here he became acquainted with the eminent literary men at
that time collected there, and here he first saw the great American
painter Alston, for whom he always cherished an unfeigned regard. The
German poet Tieck, he then for the first time also saw, and many others
of celebrity. To one of them he was mainly indebted for his safety,
otherwise he might have terminated his career in the Temple at Paris:
for to Buonaparte, through one of his industrious emissaries, Coleridge
had become obnoxious, in consequence of an article written by him in the
Morning Post. This salutary warning he obtained from the brother of the
celebrated traveller, Humboldt, of whom he had enquired, whether he
could pass through Switzerland and Germany, and return by that route to
England. Humboldt then informed Coleridge, that having passed through
Paris on his journey to Rome, he had learnt that he, Coleridge, was a
marked man, and unsafe: when within the reach of Buonaparte he advised
him to be more than usually circumspect, and do, all in his power to
remain unknown. [8] Rather unexpectedly, he had a visit early one
morning from a noble Benedictine, with a passport signed by the Pope, in
order to facilitate his departure.
Public-domain text, read in full here on John Shaqi.
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