II. On the tales and metrical romances common, for the most part, to England, Germany, and the North of France; and on the English songs and ballads; continued to the reign of Charles the First.--A few selections will be made from the Swedish, Danish, and German languages, translated for the purpose by the Lecturer. III. Chaucer and Spenser; of Petrarch; of Ariosto, Pulci, and Boiardo. IV. V. and VI. On the Dramatic Works of SHAKSPEARE. In these Lectures will be comprised the substance of Mr. Coleridge's former Courses on the same subject, enlarged and varied by subsequent study and reflection. VII. On Ben Jonson, Beaumont and Fletcher, and Massinger; with the probable causes of the cessation of Dramatic 'Poetry' in England with Shirley and Otway, soon after the Restoration of Charles the Second. VIII. Of the Life and 'all' the Works of CERVANTES, but chiefly of his Don Quixote. The Ridicule of Knight-Errantry shewn to have been but a secondary object in the mind of the Author, and not the principal Cause of the Delight which the Work continues to give in all Nations, and under all the Revolutions of Manners and Opinions. IX. On Rabelais, Swift, and Sterne: on the Nature and Constituents of genuine Humour, and on the Distinctions of the Humorous from the Witty, the Fanciful, the Droll, the Odd, &c. X. Of Donne, Dante, and Milton. XI. On the Arabian Nights Entertainments, and on the 'romantic' use of the supernatural in Poetry, and in works of fiction not poetical. On the conditions and regulations under which such Books may be employed advantageously in the earlier Periods of Education. XII. On tales of witches, apparitions, &c. as distinguished from the magic and magicians of asiatic origin. The probable sources of the former, and of the belief in them in certain ages and classes of men. Criteria by which mistaken and exaggerated facts may be distinguished from absolute falsehood and imposture. Lastly, the causes of the terror and interest which stories of ghosts and witches inspire, in early life at least, whether believed or not. XIII. On colour, sound, and form, in nature, as connected with POESY: the word, 'Poesy' used as the 'generic' or class term, including poetry, music, painting, statuary, and ideal architecture, as its species. The reciprocal relations of poetry and philosophy to each other; and of both to religion, and the moral sense. XIV. On the corruptions of the English language since the reign of Queen Anne, in our style of writing prose. A few easy rules for the attainment of a manly, unaffected, and pure language, in our genuine mother-tongue, whether for the purposes of writing, oratory, or conversation. Concluding Address."