"In all Mr. Coleridge's lectures he was a steady opposer of Mr. Pitt and the then existing war; and also an enthusiastic admirer of Fox, Sheridan, Grey, &c. &c., but his opposition to the reigning politics discovered little asperity; it chiefly appeared by wit and sarcasm, and commonly ended in that which was the speaker's chief object, a laugh. Few attended Mr. C.'s lectures but those whose political views were similar to his own; but on one occasion, some gentlemen of the opposite party came into the lecture-room, and at one sentiment they heard, testified their disapprobation by the only easy and safe way in their power; namely, by a hiss. The auditors were startled at so unusual a sound, not knowing to what it might conduct; but their noble leader soon quieted their fears, by instantly remarking, with great coolness, 'I am not at all surprised, when the red hot prejudices of aristocrats are suddenly plunged into the cool waters of reason, that they should go off with a hiss!' The words were electric. The assailants felt, as well as testified their confusion, and the whole company confirmed it by immense applause! There was no more hissing."] [Footnote 15: This note was written at Highgate, in a copy of the 'Conciones ad Populum'.] [Footnote 16: "With the exception of one extraordinary man, I have never known an individual, least of all an individual of genius, healthy or happy without a profession, i.e., some 'regular' employment, which does not depend on the will of the moment, and which can be carried on so far 'mechanically', that an average quantum only of health, spirits, and intellectual exertion are requisite to its faithful discharge. Three hours of leisure, unannoyed by any alien anxiety, and looked forward to with delight as a change and recreation, will suffice to realize in literature a larger product of what is truly genial, than weeks of compulsion. Money, and immediate reputation form only an arbitrary and accidental end of literary labour. The 'hope' of increasing them by any given exertion will often prove a stimulant to industry; but the 'necessity' of acquiring them will, in all works of genius, convert the stimulant into a 'narcotic'. Motives by excess reverse their very nature, and instead of exciting, stun and stupify the mind; for it is one contra-distinction of genius from talent, that its predominant end is always comprised in the means; and this is one of the many points, which establish an analogy between genius and virtue. Now, though talents may exist without genius, yet, as genius cannot exist, certainly not manifest itself, without talents, I would advise every scholar, who feels the genial power working within him, so far to make a division between the two, as that he should devote his 'talents' to the acquirement of competence in some known trade or profession, and