The contrast of the next paragraph in the diary is irresistible:
“A mouse caught at last. Odd, how it annoys me! ‘Shall I drown it,
ma’am?’ ‘Oh, let it eat its cheese first!’ How Octa’d laugh! Faugh!—
poor little thing, how it struggled for its life,—and how my heart
beat! It was some courage to resolve it shouldn’t suffer longer than
need be.”
About her friends she has much to say as usual. On March 31st she writes
to Cousin Ellie:
“Now for friends. I think I really may put that word to Dora Burn
Murdoch and Margaret Orr, short as the time seems in days since I have
known them; but then days sometimes go for weeks and they have both
been _so_ kind to me. ‘I was a stranger and they took me in.’ [Dora’s]
charity for others is something quite beautiful, her unconsciousness
of other people’s inferiority to her,—her width of thought, and power
of understanding those differing most widely from herself—most
admirable. You never hear her by any chance say a harsh thing, a
spiteful thing or a narrow thing,—neither do you ever hear a weak
one.”
She speaks many times in her diary of the rest and refreshment derived
from visits to Mrs. Burn Murdoch. But she was working too hard, and Mrs.
Jex-Blake’s letters at this time take on an even deeper note than usual
of love, appreciation and solicitude. Varieties of note-paper were not
great in those days, so S. J.-B. had possessed herself of a large
quantity of common brown envelopes (similar to those used for the
delivery of telegrams) in order that her Mother might see at a glance—
without putting on her spectacles!—whether the postman had brought the
all-important thing. Many are Mrs. Jex-Blake’s references to “the
precious brown envelope,” “the dear brown letters”; and well might she
prize them. Indeed one does not know which to admire more,—the
painstaking labour with which S. J.-B., at the end of a hard day’s work,
strove to keep her Mother informed of all she was thinking and doing and
trying to do—or the painstaking labour with which her Mother strove to
understand and sympathize. She writes at great length about _Jane Eyre_,
about the higher education of women, and she enters into her daughter’s
religious arguments with a largeness of soul that is simply uplifting:
“I expect,” she says, “I quoted in commas the very words _you_ wrote
about the Atonement. The rest was, of course, my able and learned
commentary. I _think_ I did take your words in your sense, though I
couldn’t help their _expanding_—you will perhaps say, narrowing,—in my
view. He will guide us both into all truth.”
The following extracts give some idea how these beautiful letters go on:
Public-domain text, read in full here on John Shaqi.
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