The life of St. Patrick and his place in historyBury, J. B. (John Bagnell)
History
The life of St. Patrick and his place in history
Bury, J. B. (John Bagnell)
Christian saints -- Ireland -- Biography; Ireland -- Church history -- To 1172; Patrick, Saint, 373?-463?
Men of action who help to change the face of the world by impressing
upon it ideas which others have originated, have seldom the time, and
seldom, unless they have received in their youth a literary training,
the inclination, to record their work in writing. The great apostles
of Europe illustrate this fact. None of them, from Wulfilas to Otto of
Bamberg, has left a relation of his own apostolic labours. We are lucky
if a disciple took thought for posterity by writing a brief narrative of
his master’s acts. But in the case of the apostle of the Scots, as in the
case of the apostles of the Slavs, no disciple wrote down what he could
aver of his own certain knowledge. If Benignus, his pupil and successor,
had done for Patrick what Auxentius did for Wulfilas, what Willibald did
for Boniface, we should have certainty on many things where it is now
only possible to note our ignorance. But although neither Patrick nor
any of the other apostles who preached to Celt, German, or Slav wrote
the story of his own life, some of them have left literary records which
bear on their work. The most conspicuous example is the correspondence
of our West-Saxon Boniface, the apostle of the Germans; but fortunately
in Patrick’s case, too, circumstances occasionally forced him to write.
The _Confession_ is of far greater interest and value than the letter
against Coroticus; for, though not an autobiography, it contains highly
important autobiographical passages, to which reference has been made in
the foregoing pages.
[Sidenote: THE CONFESSION]
This work was written in Patrick’s old age, at a time when he felt that
death might not be very far off. “This,” he says, “is my confession
before I die,” and accordingly the work is known as the Confession. This
title, however, might easily convey a false idea. The writer has occasion
to confess certain sins, he has occasion also to make a brief confession
of the articles of his faith, but it is in neither of these senses that
he calls the work as a whole his Confession. Neither his sins nor his
theological creed are his main theme, but the wonderful ways of God in
dealing with his own life. “I must not hide the gift of God”; this is
what he “confesses”; this is the refrain which pervades the _Confession_
and emphatically marks its purpose.
Public-domain text, read in full here on John Shaqi.
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