With a view to his wedding, the one and only object of his life, the
Moth is gifted with a wonderful prerogative. He is able to discover the
object of his desire in spite of distance, obstacles and darkness. For
two or three evenings, he is allowed a few hours wherein to indulge his
search and his amorous exploits. If he cannot avail himself of them,
all is over: the most exact of compasses fails, the brightest of lamps
expires. What is the use of living after that? Stoically we withdraw
into a corner and sleep our last sleep, which is the end of our
illusions and of our woes alike.
The Great Peacock becomes a Moth only in order to perpetuate his
species. He knows nothing of eating. While so many others, jolly
companions one and all, flit from flower to flower, unrolling the
spiral of their proboscis and dipping it into the honeyed cups, he, the
incomparable faster, wholly freed from the bondage of the belly, has no
thought of refreshment. His mouth-parts are mere rudiments, vain
simulacra, not real organs capable of performing their functions. Not a
sup enters his stomach: a glorious privilege, save that it involves a
brief existence. The lamp needs its drop of oil, if it is not to be
extinguished. The Great Peacock renounces that drop, but at the same
time he renounces long life. Two or three evenings, just time enough to
allow the couple to meet, and that is all: the big Moth has lived.
Then what is the meaning of the staying away of those who have lost
their antennæ? Does it show that the absence of these organs has made
them incapable of finding the wire bell in which the prisoner awaits
them? Not at all. Like the shorn ones, whose operation has left them
uninjured, they prove only that their time is up. Whether maimed or
intact, they are unfit for duty because of their age; and their
non-return is valueless as evidence. For lack of the time necessary for
experimenting, the part played by the antennæ escapes us. Doubtful it
was and doubtful it remains.
My caged prisoner lives for eight days. Every evening she draws for my
benefit a swarm of visitors, in varying numbers, now to one part of the
house, now to another, as I please. I catch them, as they come, with
the net and transfer them, the moment they are captured, to a closed
room, in which they spend the night. Next morning, I mark them with a
tonsure on the thorax.
Public-domain text, read in full here on John Shaqi.
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