Around the caterpillar, who is not always quite dead and who sometimes
even goes on weaving his carpet a moment longer, the vermin at once
begin to work at their cocoons. The straw-coloured thread, drawn from
the silk-glands by a backward jerk of the head, is first fixed to the
white network of the caterpillar and then produces adjacent warp-beams,
so that, by mutual entanglements, the individual works are welded
together and form an agglomeration in which each of the worms has its
own cabin. For the moment, what is woven is not the real cocoon, but a
general scaffolding which will facilitate the construction of the
separate shells. All these frames rest upon those adjoining and, mixing
up their threads, become a common edifice wherein each grub contrives a
shelter for itself. Here at last the real cocoon is spun, a pretty
little piece of closely-woven work.
In my rearing-jars, I obtain as many groups of those tiny shells as my
future experiments can wish for. Three-fourths of the caterpillars have
supplied me with them, so ruthless has been the toll of the spring
births. I lodge these groups, one by one, in separate glass tubes, thus
forming a collection on which I can draw at will, while, in view of my
experiments, I keep under observation the whole swarm produced by one
caterpillar.
The adult Microgaster appears a fortnight later, in the middle of June.
There are fifty in the first tube examined. The riotous multitude is in
the full enjoyment of the pairing-season, for the two sexes always
figure among the guests of any one caterpillar. What animation! What an
orgy of love! The carnival of those pigmies bewilders the observer and
makes his head swim.
Most of the females, wishful of liberty, plunge down to the waist
between the glass of the tube and the plug of cotton-wool that closes
the end turned to the light; but the lower halves remain free and form
a circular gallery in front of which the males hustle one another, take
one another’s places and hastily operate. Each bides his turn, each
attends to his little matters for a few moments and then makes way for
his rivals and goes off to start again elsewhere. The turbulent wedding
lasts all the morning and begins afresh next day, a mighty throng of
couples embracing, separating and embracing once more.
There is every reason to believe that, in gardens, the mated ones,
finding themselves in isolated couples, would keep quieter. Here, in
the tube, things degenerate into a riot because the assembly is too
numerous for the narrow space.
Public-domain text, read in full here on John Shaqi.
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