It was, therefore, as a young man who had already lost his illusions that Rudolph set out in search of a wife. The story has been told that another lady travelled with him as a provisional companion while he was looking for a wife, and was, at least once, caught in his company in compromising circumstances by his prospective mother-in-law. He was too eligible a _parti_ for any prospective mother-in-law to attach more importance than she could help to such a _contretemps_; and after Rudolph had rejected the suit of Princess Mathilde of Saxony, on the ground that her style of beauty was of too luxuriant an effulgence, then, “weary,” to quote Countess Marie, “of a choice of many evils, he decided to take the least of them, as represented by the Princess Stéphanie of Belgium.” And Stéphanie said, or is said to have said, “He asked me for my hand so prettily that I could not possibly refuse it to him.” [Illustration: THE CROWN PRINCE RUDOLPH.] That in spite of the compromising discovery of the provisional lady companion in his rooms. His manner must indeed have been charming if it removed the impression of that surprise; but Rudolph could be fascinating when he chose, and his ready wit may have prompted a plausible explanation. Moreover, Stéphanie was little more than a child—too young to understand; and her father, Leopold II., was not a man into whose calculations either sentiment or morality entered. We all know him as the King who neglected the Austrian Archduchess to whom he was married for such persons as Cléo de Mérode and the Baroness Vaughan; and he may well have said to himself that he saw no reason why his daughter should expect to be any happier in her marriage than his wife, or why his younger daughter should expect to be any happier in her marriage than her elder sister. It is notorious, at any rate, that no love was ever lost between Leopold and either of his daughters. The marriages of both of them were failures; and anyone who has ever lived in Brussels knows how many stories are current there as to his callous indifference to their matrimonial calamities. Again and again the story ran round Brussels that Princess Louise of Saxe-Coburg had run away from her husband and taken refuge at Laeken, and that her eyes were not only red but black: that Philip of Saxe-Coburg, in fact, had been knocking her about, and that she had vowed, with tears streaming down her cheeks, that nothing would induce her to return to him. But Leopold always sent her back; for why—one pictures him asking—should his daughter Louise expect to be any happier than his wife Henrietta, and why should his son-in-law be expected to behave any better than he himself behaved? No doubt there was logic of a kind—though not of the best kind—in the argument. No doubt, too, the same logic was brought into play when Stéphanie’s marriage was arranged.