“Is it possible? A long, long, terrible night has gone by for me, and I see a rosy dawn of hope on the clouded sky, a ray of light which tells of the rising sun of joy. Will the sun rise in full glory? Will he warm me with his rays, and dry the tears from my cheeks? Come, my sun, come! You find a poor faded flower whose freshness has been destroyed by the hard frost of fate.” So Stéphanie wrote, after the tragedy had set her free, and at the hour when she was about to make use of her freedom and seek in a marriage of her own choice the happiness of which she had not enjoyed even the illusory semblance in the marriage into which she was hurried “without any preparation”—suddenly transformed from a schoolgirl into a grown woman—by a father to whom no sacrifice was too precious to be offered up on the altar of the Mammon of Unrighteousness. She was too young and innocent—too _bourgeoise_, perhaps—to enter into the spirit of the sacrifice. It was idle for anyone to tell her that Crown Princes would be Crown Princes, and that Crown Princesses who raised jealous objections to their doing so only made themselves ridiculous; that her splendid position was the substance, and love only the shadow. Taught by instinct, she knew better. She was too simple to wear a mask—or, if she did sometimes wear one, it was continually falling off; and she was too proud to pretend not to see the things which were happening under her nose. Moreover, just as there were women whose cue it was to make her feel provincial, so there were women—in many cases the same women—whose cue it was to make her feel neglected. The list of the women for whom Rudolph neglected Stéphanie would be long and difficult to make out; but Mary Vetsera is the only one who matters. All the world knows—and knew at the time—that Mary Vetsera died with Rudolph on the day of the mysterious Meyerling tragedy; but there was a good deal of unnecessary reticence about her in the narratives written at the time. She figured as “Marie V——,” as “a beautiful Jewess,” etc., etc.; but she was, as a matter of fact, a well-known member of a family which was at that time very well known indeed in Vienna. Her mother, the Baroness Vetsera, was _née_ Baltazzi; and the Baltazzis were people who were in Viennese society without being of it. Their precise position in that society may be fixed by the fact that they received invitations to the _bal beim Hof_, but not to the more intimate and exclusive _bal am Hof_. The people who did not like them called them “rastas,” meaning that they cut a dash, but that the account which they gave of their antecedents was not quite satisfactory to inquisitive aristocrats. They came from Constantinople by way of London, and they threw their money about. One always finds such people even in the most exclusive societies: people whom Society accepts, without taking them to its bosom.