The life of the emperor Francis JosephGribble, Francis Henry
History
The life of the emperor Francis Joseph
Gribble, Francis Henry
Austria -- Court and courtiers; Austria -- History -- Franz Joseph I, 1848-1916; Franz Joseph I, Emperor of Austria, 1830-1916
At all events, she did not marry the Archduke—her mother, as appears
from the letter, intervening; and he, on his part, did not keep single
for her sake—or, at all events, did not keep unattached. Princess
Louisa tells us that he wanted to marry her, his niece, the future
bride of Signor Toselli; but that is as it may be. His desire to do
so was, at any rate, kept under control. One thinks of him rather as
one of those Habsburgs whom the bare idea of consanguineous marriage
revolts; and one knows that he met his fate, in a sentimental sense,
while shooting with some of his brother officers in the Semmering
district. One cannot do better than borrow the poetical picture of the
scene presented to us by his biographer, Mme. de Faucigny-Lucinge:—
“It was one of those moments when the human soul feels the need of
fusion and communion with the mysteries of nature. The Prince was
walking in a favourite path of his—a discreet refuge in which his
companions had always been accustomed to leave him alone. Of a sudden
he found himself in the presence of a girl whose delicate features
and pensive gaze attracted his attention. Her eyes were gentle, and
her lips were lighted with a smile. As he overheard her talking with
her parents, it seemed to the Archduke that he had long been familiar
with that melodious voice, so fraught with enchantment to all who
listened to it; for the things which most delight us always seem like
reminiscences of some previous life.”
Nothing happened, however, at the moment. The Archduke passed by
without speaking—too shy to speak, perhaps, though that, in the light
of the letter which we have just read, is not very easy to believe; but
he did not forget. To quote the same narrator:—
“His thoughts came back, again and again, to the girl who had appeared
to him in such poetical circumstances, in an Autumn twilight. He
wanted to know who she was; and having learnt that her home was in
Vienna, where she lived with her parents, and that her name was Milly
Stübel, and that she was one of the artistes employed at the Opera, he
sought and found an opportunity of meeting her again. Every time that
he met her, it was a fresh pleasure to him to remark the originality
and the attractive complexity of her gifted nature. Soon they were
passing long hours in each other’s society; and it was the unspeakable
joy of musical harmony which attached him, for ever more, to Milly;
for music is far more eloquent than words.”
Public-domain text, read in full here on John Shaqi.
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