The life of the emperor Francis JosephGribble, Francis Henry
History
The life of the emperor Francis Joseph
Gribble, Francis Henry
Austria -- Court and courtiers; Austria -- History -- Franz Joseph I, 1848-1916; Franz Joseph I, Emperor of Austria, 1830-1916
But let that pass too; for our business is only with Princess Louisa,
and with her only in so far as her case illustrates the failure of the
Habsburg system, and the impulse of the family to revolt, as it were,
against itself. No theory of her possessing a double dose of original
sin can justly be invoked to account for her proceedings. The impulse
to revolt was as physiologically sound in her case as in any of the
others; but it was stirred in her too late. She was too radically
affected to be saved by it. There is something pathetic in the picture
of her efforts to recover her balance—so desperate, yet so unavailing.
In her restlessness, if in nothing else, she reminds one a little of
the Empress Elizabeth. One sees her, as one sees the Empress, driven
continually from place to place, seeking she knows not exactly what,
but always failing to find it; but one does not see her, as one sees
the Empress, guarding her secret like a delicate flame which must at
all costs be sheltered from the wind. Her disposition is, rather,
to expose the flame to all the winds which blow, in the hope that
one or other of them may fan it to a blaze. For she is, after all, a
Habsburg; and that is how the Habsburgs differ from the Wittelsbachs.
The contrast has been pointed out already; but the point may be made
again—in French, because there is no exact equivalent in English for
the French phrases. The typical Wittelsbach, sane or insane, is _tout
en dedans_; the typical Habsburg, conventional or unconventional, is
_tout en dehors_.
Princess Louisa’s career exemplified the distinction when she bicycled
in the Park with the dentist, and when she summoned M. Giron to
Switzerland to compromise her. A further illustration of it was
furnished when she affianced herself to that promising young pianist,
Signor Toselli. The contrast leaps to the eyes in Signor Toselli’s
report of the first compliments which she paid him:—
“I love the society of artists. Their views are so noble and so
generous. They are far above the petty prejudices of other men. Their
conversation is stimulating and inspiring. You cannot imagine how
badly they are treated at the Court of Dresden. They are simply paid
their fee and dismissed.”
Even M. Paderewski, the Princess added, would have been simply paid his
fee and dismissed, if she had not herself run forward, with tears in
her eyes, and clasped him by the hand.
Public-domain text, read in full here on John Shaqi.
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