“What _I_ do not mind doing, nobody else need cavil at,” she often said. “Love is no sin,” she would remark. “God created love, and morality is entirely a question for oneself. So long as you do not hurt anyone else through love, no one ought to presume to judge you.” There shall be no attempt to judge her here; the attempt is only to portray. A good deal would have to be added to make the portrait complete; not merely those details of the toilette which Countess Marie gives in such abundance; not merely particulars of the daring horse-woman’s delight in the tricks of the _haute école_—a delight so intense that Elizabeth once followed the circus-rider Elisa to Paris, and brought her back to Austria, paying the forfeit on her broken engagement; but facts which show her compassion with the sufferings of humanity. Sustained philanthropic endeavour was not, indeed, much in her way; but she was easily stirred to those _élans_ of sympathy which are far more effective than systematic philanthropy in winning the hearts of the humble. When she visited the hospitals after Sadowa, the wounded blessed her on their deathbeds. Still, these facts, though necessary to completeness, are not of the essence of the portrait. The essence of the picture lies in Elizabeth’s unavailing pursuit of happiness, and her unavailing flight from herself—on horseback as long as her health let her ride, and always with a volume of Heine’s poems in her pocket. It was not, perhaps, a very sane proceeding; but she came, as we know, of a family which was not very sane. One of her sisters—the Duchesse d’Alençon—was for some time under observation in a private asylum at Graetz, known as _le rendezvous des Princes_, on account of the number of its royal inmates; and the sister whom Francis Joseph jilted in order to marry her, became, as Princess of Thurn and Taxis, a victim of religious mania. Her own eccentricities must not be estimated without reference to these facts. Estimate them as we may, however, one thing is certain. Between Elizabeth, with her fancies and vague cravings for she knew not exactly what, and Francis Joseph, with his direct, straightforward, soldierly outlook on life, no enduring bond of sympathy was possible. Fate forbade it, and ordained that they should drift apart; and Fate had its way with its playthings. How Francis Joseph’s fancy strayed—and how Elizabeth, instead of opposing its divagations, encouraged them—we shall see in the course of a few pages. CHAPTER X “The Martyrdom of an Empress”—Correction of inaccuracies contained in that popular work—Francis Joseph’s friends—“A Polish Countess”—Frau Katti Schratt—Enduring attachment—Rumour of morganatic marriage—Interview with Frau Schratt on that subject—“Darby and Joan.”