Natural history -- Outdoor books; Nature; Nature study; Paris (France) -- Description and travel
I stood under the portico of the National Gallery in the shade looking
southwards, across the fountains and the lions, towards the green trees
under the distant tower. Once a swallow sang in passing on the wing,
garrulous still as in the time of old Rome and Augustan Virgil. From
the high pediments dropped the occasional chatter of sparrows and the
chirp of their young in the roofs. The second brood, they were late;
they would not be in time for the harvest and the fields of stubble. A
flight of blue pigeons rose from the central pavement to the level line
of the parapet of the western houses. A starling shot across the
square, swift, straight, resolute. I looked for the swifts, but they
had gone, earliest of all to leave our sky for distant countries. Away
in the harvest field the reaper, pausing in his work, had glanced up at
the one stray fleck of cloud in the sky, which to my fancy might be a
Cupid on a blue panel, and seeing it smiled in the midst of the corn,
wiping his blackened face, for he knew it meant dry weather. Heat, and
the dust of the straw, the violent labour had darkened his face from
brown almost to blackness--a more than swarthiness, a blackness. The
stray cloud was spreading out in filaments, each thread drawn to a
fineness that ended presently in disappearance. It was a sign to him of
continued sunshine and the prosperity of increased wages. The sun from
whose fiery brilliance I escaped into the shadow was to him a welcome
friend; his neck was bare to the fierceness of the sun. His heart was
gladdened because the sky promised him permission to labour till the
sinews of his fingers stiffened in their crooked shape (as they held
the reaping-hook), and he could hardly open them to grasp the loaf he
had gained.
So men laboured of old time, whether with plough or sickle or
pruning-hook, in the days when Augustan Virgil heard the garrulous
swallow, still garrulous. An endless succession of labour, under the
brightness of summer, under the gloom of winter; to my thought it is a
sadness even in the colour and light and glow of this hour of sun, this
ceaseless labour, repeating the furrow, reiterating the blow, the same
furrow, the same stroke--shall we never know how to lighten it, how to
live with the flowers, the swallows, the sweet delicious shade, and the
murmur of the stream? Not the blackened reaper only, but the crowd
whose low hum renders the fountain inaudible, the nameless and unknown
crowd of this immense city wreathed round about the central square. I
hope that at some time, by dint of bolder thought and freer action, the
world shall see a race able to enjoy it without stint, a race able to
enjoy the flowers with which the physical world is strewn, the colours
of the garden of life. To look backwards with the swallow there is
sadness, to-day with the fleck of cloud there is unrest; but forward,
with the broad sunlight, there is hope.
Public-domain text, read in full here on John Shaqi.
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