Natural history -- Outdoor books; Nature; Nature study; Paris (France) -- Description and travel
The great red bowsprit of an Australian clipper projects aslant the
quay. Stem to the shore, the vessel thrusts an outstretched arm high
over the land, as an oak in a glade pushes a bare branch athwart the
opening. This beam is larger than an entire tree divested of its
foliage, such trees, that is, as are seen in English woods. The great
oaks might be bigger at the base where they swell and rest themselves
on a secure pedestal. Five hundred years old an oak might measure more
at six feet, at eight, or ten feet from the ground; after five hundred
years, that is, of steady growth. But if even such a monarch were
taken, and by some enormous mechanic power drawn out, and its substance
elongated into a tapering spar, it would not be massive enough to form
this single beam. Where it starts from the stem of the vessel it is
already placed as high above the level of the quay as it is from the
sward to the first branch of an oak. At its root it starts high
overhead, high enough for a trapeze to be slung to it upon which grown
persons could practise athletic exercises. From its roots, from the
forward end of the deck, the red beam rises at a regular angle,
diminishing in size with altitude till its end in comparison with the
commencement may be called pointed, though in reality blunt. To the
pointed end it would be a long climb; it would need a ladder. The dull
red of the vast beam is obscured by the neutral tint of the ropes which
are attached to it; colour generally gives a sense of lightness by
defining shape, but this red is worn and weatherbeaten, rubbed and
battered, so that its uncertain surface adds to the weight of the boom.
It hangs, an immense arm thrust across the sky; it is so high it is
scarcely noticed in walking under it; it is so great and ponderous, and
ultra in size, that the eye and mind alike fail to estimate it. For it
is a common effect of great things to be overlooked. A moderately large
rock, a moderately large house, is understood and mentally put down, as
it were, at a certain figure, but the immense--which is beyond the
human--cannot enter the organs of the senses. The portals of the senses
are not wide enough to receive it; you must turn your back on it and
reflect, and add a little piece of it to another little piece, and so
build up your understanding. Human things are small; you live in a
large house, but the space you actually occupy is very inconsiderable;
the earth itself, great as it is, is overlooked, it is too large to be
seen. The eye is accustomed to the little, and cannot in a moment
receive the immense. Only by slow comparison with the bulk of oak
trees, by the height of a trapeze, by the climbing of a ladder, can I
convey to my mind a true estimate and idea of this gigantic bowsprit.
It would be quite possible to walk by and never see it because of its
size, as one walks by bridges or travels over a viaduct without a
thought.
Public-domain text, read in full here on John Shaqi.
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