Natural history -- Outdoor books; Nature; Nature study; Paris (France) -- Description and travel
sky, and the fly-wheel moans in the gloom; the wood-pigeons go a mile a
minute on the wind, hardly using their wings; the brown woods below
huddle together, rounding their shoulders to the blast; a great
air-shadow, not mist, a shadow of thickness in the air looms behind a
tiled roof in the valley. The vast profound is full of the rushing air.
These are days of autumn; but earlier than this, when the wheat that is
now being threshed was ripe, the reaping-machine went round and round
the field, beginning at the outside by the hedges. Red arms, not unlike
a travelling windmill on a small scale, sweep the corn as it is cut and
leave it spread on the ground. The bright red fans, the white jacket of
the man driving, the brown and iron-grey horses, and yellow wheat are
toned--melted together at their edges--with warm sunlight. The machine
is lost in the corn, and nothing is visible but the colours, and the
fact that it is the reaping, the time of harvest, dear to man these how
many thousand years! There is nothing new in it; it is all old as the
hills. The straw covers over the knives, the rims of the wheels sink
into pimpernel, convolvulus, veronica; the dry earth powders them, and
so all beneath is concealed. Above the sunlight (and once now and then
the shadow of a tree) throws its mantle over, and, like the hand of an
enchanter softly waving, surrounds it with a charm. So the cranks, and
wheels, and knives, and mechanism do not exist--it was a machine in the
workshop, but it is not a machine in the wheat-field. For the
wheat-field you see is very, very old, and the air is of old time, and
the shadow, the flowers, and the sunlight, and that which moves among
them becomes of them. The solitary reaper alone in the great field goes
round and round, the red fans striking beside him, alone with the
sunlight, and the blue sky, and the distant hills; and he and his
reaper are as much of the corn-field as the long-forgotten sickle or
the reaping-hook.
The sharp rattle of the mowing-machine disturbs the corncrake in the
meadow. Crake! crake! for many a long day since the grass began to grow
fast in April till the cowslips flowered, and white parsley flourished
like a thicket, blue scabious came up, and yonder the apple trees drop
their bloom. Crake! crake! nearly day and night; but now the rattle
begins, and the bird must take refuge in the corn. Like the reaper, the
mowing-machine is buried under the swathe it cuts, and flowers fall
over it--broad ox-eye daisies and red sorrel. Upon the hedge June roses
bloom; blackbirds whistle in the oaks; now and again come the soft
hollow notes of the cuckoo. Angles and wheels, cranks and cogs, where
are they? They are lost; it is not these we see, but the flowers and
the pollen on the grass. There is an odour of new-made hay; there is
the song of birds, and the trees are beautiful.
Public-domain text, read in full here on John Shaqi.
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