Peace reigns in the household until the quarrelsome instincts of
pairing-time break out. Then affrays between suitors are frequent and
lively, though not serious. The two rivals stand face to face, bite
each other in the head, that solid, fang-proof helmet, roll each other
over, pick themselves up and separate. The vanquished Cricket makes off
as fast as he can; the victor insults him with a boastful ditty; then,
moderating his tone, he veers and tacks around the object of his
desires.
He makes himself look smart and, at the same time, submissive. Gripping
one of his antennæ with a claw, he takes it in his mandibles to curl it
and grease it with saliva. With his long spurred and red-striped
hind-legs, he stamps the ground impatiently and kicks out at nothing.
His emotion renders him dumb. His wing-cases, it is true, quiver
rapidly, but they give forth no sound, or at most an agitated rustling.
A vain declaration! The female Cricket runs and hides herself in a
curly bit of lettuce. She lifts the curtain a little, however, and
looks out and wishes to be seen.
Et fugit ad salices; et se cupit ante videri, [71]
said the delightful eclogue, two thousand years ago. Thrice-consecrated
strategy of love, thou art everywhere the same!
The song is resumed, intersected by silences and murmuring quavers.
Touched by so much passion, Galatea, I mean Dame Cricket, issues from
her hiding-place. The other goes up to her, suddenly spins round, turns
his back to her and flattens his abdomen against the ground. Crawling
backwards, he makes repeated efforts to slip underneath. The curious
backward manœuvre at last succeeds. Gently, my little one, gently!
Discreetly flattened out, you manage to slide under. That’s done it! We
have our couple. A spermatophore, a granule smaller than a pin’s head,
hangs where it ought to. The meadows will have their Crickets next
year.
The laying of the eggs follows soon after. Then this cohabitation in
couples in a cage often brings about domestic quarrels. The father is
knocked about and crippled; his violin is smashed to bits. Outside my
cells, in the open fields, the hen-pecked husband is able to take to
flight; and that indeed is what he appears to do, not without good
reason.
This ferocious aversion of the mother for the father, even among the
most peaceable, gives food for thought. The sweetheart of but now, if
he come within reach of the lady’s teeth, is eaten more or less; he
does not escape from the final interviews without leaving a leg or two
and some shreds of wing-cases behind him. Locusts and Crickets, those
lingering representatives of a bygone world, tell us that the male, a
mere secondary wheel in life’s original mechanism, has to disappear at
short notice and make room for the real propagator, the real worker,
the mother.
Public-domain text, read in full here on John Shaqi.
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