Having said this, let us watch the performance. The insect lifts the
tip of its abdomen out of the bath in which it is swimming. The pocket
opens, sucks in the air of the atmosphere till it is full, then closes
and dives down, the richer by its prize. Inside the liquid, the
apparatus contracts. The captive air escapes as from a nozzle and
produces a first bubble of froth. Forthwith the air-pocket returns to
the upper air, opens, takes in a fresh load and goes down again closed,
to immerse itself once more and blow in its gas. A new bubble is
produced.
And so it goes on with chronometrical regularity, from second to
second, the blowing-machine swinging upwards to open its valve and fill
itself with air, downwards to dive into the liquid and send out its
gaseous contents. Such is the air-measurer, the drop-glass which
accounts for the evenness of the frothy bubbles.
Ulysses, the favourite of the gods, received from the storm-dispenser,
Æolus, bags in which the winds were confined. The carelessness of his
crew, who untied the bags to find out what they contained, let loose a
tempest which destroyed the fleet. I have seen those mythological
wind-filled bags; I saw them years ago, when I was a child.
A peripatetic tinker, a son of Calabria, had set up between two stones
the crucible in which a tin soup-tureen and plates were to be remelted.
Æolus did the blowing, Æolus in the person of a little dark-skinned boy
who, squatting on his heels, forced air towards the forge by
alternately squeezing two goatskin bags, one on the right and one on
the left. Thus must the prehistoric bronze-smelters have performed
their task, they whose workshops and whose remains of copper-slag I
find on the hills near my home: the blast of their furnaces was
produced by these inflated skins.
The machine employed by my Æolus is pathetically simple. The hide of a
goat, with the hair left on, is practically all that is necessary. It
is a bag fastened at the bottom over a nozzle, open at the top and
supplied, by way of lips, with two little boards which, when brought
together, close up the whole apparatus. These two stiff lips are each
furnished with a leather handle, one for the thumb, the other for the
four remaining fingers. The hand opens; the lips of the bag part and it
fills with air. The hand closes and brings the boards together; the air
imprisoned in the compressed bag escapes by the nozzle. The alternate
working of the two bags gives a continuous blast.
Apart from continuity, which is not a favourable condition when the gas
has to be discharged in small bubbles, the Cicadella’s bellows works
like the Calabrian tinker’s. It is a flexible pocket with stiff lips,
which alternately part and unite, opening to let the air enter and
closing to keep it imprisoned. The contraction of the sides takes the
place of the shrinking of the bag and puffs out the gaseous contents
when the pocket is immersed.
Public-domain text, read in full here on John Shaqi.
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