The Cicadella is better-advised and altogether escapes the dangers attendant on a removal. Subject to certain summary changes which never interrupt her activity, she assumes the adult form in the very heart of her bastion, under the shelter of a viscous rampart capable of repelling any assailant. Here she enjoys perfect security when the difficult hour has come for tearing off her old skin and putting on another, brand-new and more decorative; here she finds profound peace for her excoriation and for the display of the attire of a riper age. The insect does not leave its cool covering until it is grown up, when it appears in the form of a pretty little, brown-striped Cicadella. It is then able to take enormous and sudden leaps, which carry it far from the aggressor; and it leads an easy life, untroubled by the foe. Looked upon as a system of defence, the frothy stronghold is indeed a magnificent invention, much superior to the squalid work of the invader of the lily. And, strange to say, the system has no imitators among the genera most nearly allied to the froth-blower. In her larval form, the Asparagus-beetle is victimized by the Fly because she does not follow the example of her cousin, the Lily-beetle, and clothe herself in her own droppings. Even so, on the grass, on the trees displaying their tender leaves, other Cicadellæ abound, no less exposed to danger from the Warbler seeking a succulent morsel for his little ones; and, as they draw out the sap through the punctures made by their suckers, not one of them thinks of making it effervesce. Yet they too possess the elevator-pump, which they all work in the same manner; only they do not know how to turn the end of their intestine into a bellows. Why not? Because instincts are not to be acquired. They are primordial aptitudes, bestowed here and denied there; time cannot awaken them by a slow incubation, nor are they decreed by any similarity of organization. NOTES [1] You used to sing! I’m glad to know it. Well, try dancing for a change! [2] Jean de La Fontaine (1621–1695), the author of the world-famous Fables.—Translator’s Note. [3] Jean Ignace Isidore Gérard (1803–1847), better known by his pseudonym of Grandville, a famous French caricaturist and illustrator of La Fontaine’s Fables, Béranger’s Chansons and the standard French editions of Robinson Crusoe and Gulliver’s Travels.—Translator’s Note. [4] Sir Roger L’Estrange attributes the fable to Anianus and, as is usual in the English version, substitutes the Grasshopper for the Cicada. It may be interesting to quote his translation: