'On the same evening I heard a story (probably a well-known one, but certainly good) of the Duke of Wellington and Napoleon's body; how the Government of the day wrote to the Duke to tell him they had agreed to let the French transport the corpse from St. Helena, the Duke being in Opposition at the time; how the answer ran: "F.-M. the Duke of Wellington presents his compliments to H.M.'s Ministers. If they wish to know F.-M. the Duke of Wellington's opinion as on a matter of public policy, he must decline to give one. If, however, they wish only to consult him as a private individual, F.-M. the Duke of Wellington has no hesitation in saying that he does not care one twopenny damn what becomes of the ashes of Napoleon Buonaparte."' Sir Charles had always many friends among artists, and his weekly visit to the National Gallery was rarely intermitted by him even when in office. To the end of his life he maintained the habit of going there whenever he could make time, and always inspecting each new purchase. He kept in touch, too, regularly with the art of his own day, and records his sight of the first exhibition in the still unfinished Grosvenor Gallery. The exhibition did not please him as a whole, though he admired not only Burne-Jones's "Days of Creation," but a picture called "Passing Days," also allegorical, the work of Burne-Jones's disciple, Mr. Strudwick. His taste in art was always personal; Velasquez, the painters' painter, made no appeal to him. He worshipped Perugino and Bellini, rating "The Doge" among the masterpieces of the world; while Raphael had for him degenerated from his master's (Perugino's) perfection into mere expressionless beauty. His appreciations were made with great force and originality, and an old Academician who had accompanied him round galleries once said to the second Lady Dilke (herself a most authoritative judge of painting): "It is always interesting to see what a man like that will admire." Mr. Chamberlain, Sir Charles's frequent guest at 76, Sloane Street, was usually his companion in picture-seeing. It is also recorded that in the spring of this year Dilke took his friend, 'at an unearthly hour for one of his lazy habits,' to see the Oxford and Cambridge boat-race. In the matter of music his preferences were no less emphatic, as witness this entry: