This colour causes us a certain surprise. We began with a substance
whose whiteness rivalled that of milk; and now melting gives it a look
of resin. This is a matter of molecular arrangement and nothing more.
To impart a proper whiteness to the yellow wax as it comes from the
hive, the wax-chandler melts it down and pours the melted substance
into cold water, thereby reducing it to thin flakes which he afterwards
exposes, on wattled screens, to the rays of the sun. Further meltings
follow, with a further production of shell-like flakes and further
exposure to the bright sunshine; and, little by little, the wax turns
white by changing its molecular structure. In this art of bleaching how
far our superior is the Dorthesia! Without treating the material by
repeated meltings and prolonged exposures to the sun, she then and
there transforms a yellow wax into one of incomparable whiteness. She
obtains by her gentle methods a result that eludes the violent
procedures of the laboratory.
Like beeswax, the Dorthesia’s wax is not collected in the outer world:
it is a first product, exuded through the surface of the body. No
manipulation is required to induce it to form itself into curly knots,
to fall into uniform streaks or graceful flutings. Merely in exuding
from the pores of the skin, it automatically acquires the requisite
form; like the fledgling’s plumage, its clothing grows correctly by the
mere activities of the organism; the wearer of the dress has no need to
improve upon it.
The tiny creature, when it issues from the egg, is perfectly naked, and
brown in colour. Soon, before leaving the mother and settling on the
bark of the spurge to draw its first sips, it becomes covered with
thinly-scattered white specks, which form the first outline of the
future jacket. By slow degrees these specks increase in number and are
produced into curly knots, so much so that the youngster, at the moment
of its emancipation, is clad like its elders.
The exudation of the wax is continuous; the white tunic is constantly
growing larger and nearer to perfection. Therefore the insect, if I
cunningly strip it bare, ought to be capable of clothing itself anew.
Experiment confirms my expectations. Destroying her garments with the
point of a needle and brushing them off with a camel-hair pencil, I
completely denude a mature Dorthesia. The persecuted Louse comes forth
in her poor brown skin. I isolate her on a sprig of spurge. In two or
three weeks’ time the coat has been remade; not so full as the first,
but large enough and of the regulation cut. With the wax which would
have added to the original garment the insect has sweated forth
another.
What is the use of this backward prolongation which trebles the actual
size of the body? Is it merely an adornment? It is much more than that.
Public-domain text, read in full here on John Shaqi.
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