A week spent without moving, on the mother’s back, is required for this
work. Then there takes place an excoriation which I hesitate to
describe by the expression moult, so greatly does it differ from the
true moult, undergone later at repeated intervals. For the latter, the
skin splits over the thorax; and the animal emerges through this single
fissure, leaving a dry, cast-off garment behind it, similar in shape to
the Scorpion that has just discarded it. The empty mould retains the
exact outline of the moulded animal.
But, this time, we have something different. I place a few young ones
in the act of shedding their skin on a sheet of glass. They are
motionless, sorely tried, it seems, almost spent. The skin bursts,
without special lines of cleavage; it tears at one and the same time in
front, behind, at the sides; the legs come out of their gaiters, the
claws leave their gauntlets, the tail quits its scabbard. The cast skin
falls in rags on all sides at once. It is a peeling without order and
in tatters. When it is done, the stripped insects present the normal
appearance of Scorpions. They have also acquired agility. Although
still pale in tint, they are nimble, quick to set foot to earth in
order to run and play beside their mother. The most striking part of
this progress is the rapid growth. The young of the Languedocian
Scorpion measured nine millimetres in length; they now measure
fourteen. [50] Those of the Black Scorpion have grown from four to six
or seven millimetres. [51] The length increases by one half, which
nearly trebles the volume.
Surprised by this sudden growth, we wonder what the cause can be, for
the little ones have taken no food. Their weight has not increased; on
the contrary, it has diminished; for we must remember that the skin has
been cast. The volume increases, but not the mass. There is, therefore,
a distension up to a certain point, which may be compared with that of
inorganic bodies under the influence of heat. A secret change takes
place, which groups the living molecules into a more spacious
combination; and the volume increases without the addition of fresh
materials. One who, possessed of a fine patience and suitably equipped,
cared to follow the rapid changes of this architecture would, I think,
reap a harvest of some value. I, in my penury, abandon the problem to
others.
The remnants of the peeling process are white strips, satiny rags,
which, so far from falling to the ground, adhere to the back of the
mother Scorpion, especially near the base of the legs, where they
become tangled into a soft carpet on which the lately-stripped insects
rest. The mount now boasts a saddle-cloth well adapted to hold her
restless riders in their seats. Whether these have to alight or to
remount, the layer of tatters, now become a solid harness, affords
support for rapid movement.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account