The little Bug, shrunken and motionless, has its head crowned with a
skin cap, suspected rather than seen, so fine is it. Later, when it
falls off, this cap will be plainly visible. It serves as the base of a
trihedral angle. The three arms forming this angle are rigid and
intensely black and look as if they ought to be of a horny nature. Two
of them extend between the eyes, which are bright red; the third passes
down behind the head and is connected with the others, right and left,
by a dark, very fine line. I might very well regard these dark lines as
tense threads, ligaments which brace the three arms of the apparatus
and prevent them from slipping farther apart, thereby blunting the
point of the angle, which is itself the key of the casket, that is, the
rammer for pushing back the lid. This three-cornered mitre protects the
head, which is still soft and fleshy and incapable of forcing the
obstruction: with its adamantine point truly applied right at the edge
of the lid it has a firm grip of the disk which has to be unfastened.
This mechanism, this cap surmounted by an armoured point, must have its
motive force. Where is it? It is at the top of the head. Look
carefully, and there, involving a certain small area, almost a point,
you will see rapid pulsations, we might almost say piston-strokes,
produced, beyond a doubt, by sudden waves of blood. By hurriedly
injecting what little fluid its body contains under its pliant cranium,
the tiny creature turns its weakness into energy. The three-cornered
helmet rises, pushing upwards, always pressing its point firmly on the
same point of the lid. No blow is struck upon the tool; there is no
intermittent percussion, but a continuous thrust.
The operation is so laborious that it lasts for more than an hour. By
imperceptible degrees the lid is unfastened and rises obliquely, but as
a rule continues to adhere to the rim of the vase at the opposite pole
of the diameter. At this pivotal point, where it would seem that there
must be a hinge, the lens reveals nothing peculiar. Here, as every
elsewhere, there is a mere row of threads, drawn down to form rivets
for closing the cask. On the side opposite the point attacked, these
rivets, less disturbed than the rest, do not quite give way, act as a
hinge.
Public-domain text, read in full here on John Shaqi.
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