Now open the habitation of the offspring. What is this? To my utter
astonishment, the contents of the chamber are a kernel of earthy matters,
as though the muddy rain-water had been allowed to soak through. Put
aside that idea, says the satin wall, which itself is perfectly clean
inside. It is most certainly the mother's doing, a deliberate piece of
work, executed with minute care. The grains of sand are stuck together
with a cement of silk; and the whole resists the pressure of the fingers.
If we continue to unshell the kernel, we find, below this mineral layer,
a last silken tunic that forms a globe around the brood. No sooner do we
tear this final covering than the frightened little ones run away and
scatter with an agility that is singular at this cold and torpid season.
To sum up, when working in the natural state, the Labyrinth Spider builds
around the eggs, between two sheets of satin, a wall composed of a great
deal of sand and a little silk. To stop the Ichneumon's probe and the
teeth of the other ravagers, the best thing that occurred to her was this
hoarding which combines the hardness of flint with the softness of
muslin.
This means of defence seems to be pretty frequent among Spiders. Our own
big House Spider, _Tegenaria domestica_, encloses her eggs in a globule
strengthened with a rind of silk and of crumbly wreckage from the mortar
of the walls. Other species, living in the open under stones, work in
the same way. They wrap their eggs in a mineral shell held together with
silk. The same fears have inspired the same protective methods.
Then how comes it that, of the five mothers reared in my cages, not one
has had recourse to the clay rampart? After all, sand abounded: the pans
in which the wire-gauze covers stood were full of it. On the other hand,
under normal conditions, I have often come across nests without any
mineral casing. These incomplete nests were placed at some height from
the ground, in the thick of the brushwood; the others, on the contrary,
those supplied with a coating of sand, lay on the ground.
The method of the work explains these differences. The concrete of our
buildings is obtained by the simultaneous manipulation of gravel and
mortar. In the same way, the Spider mixes the cement of the silk with
the grains of sand; the spinnerets never cease working, while the legs
fling under the adhesive spray the solid materials collected in the
immediate neighbourhood. The operation would be impossible if, after
cementing each grain of sand, it were necessary to stop the work of the
spinnerets and go to a distance to fetch further stony elements. Those
materials have to be right under her legs; otherwise the Spider does
without and continues her work just the same.
Public-domain text, read in full here on John Shaqi.
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