Well, what can this gem among Spiders do? In the first place, she makes
a nest worthy of its architect. With twigs and horse-hair and bits of
wool, the Goldfinch, the Chaffinch and other masters of the builder's art
construct an aerial bower in the fork of the branches. Herself a lover
of high places, the Thomisus selects as the site of her nest one of the
upper twigs of the rock-rose, her regular hunting-ground, a twig withered
by the heat and possessing a few dead leaves, which curl into a little
cottage. This is where she settles with a view to her eggs.
Ascending and descending with a gentle swing in more or less every
direction, the living shuttle, swollen with silk, weaves a bag whose
outer casing becomes one with the dry leaves around. The work, which is
partly visible and partly hidden by its supports, is a pure dead-white.
Its shape, moulded in the angular interval between the bent leaves, is
that of a cone and reminds us, on a smaller scale, of the nest of the
Silky Epeira.
When the eggs are laid, the mouth of the receptacle is hermetically
closed with a lid of the same white silk. Lastly, a few threads,
stretched like a thin curtain, form a canopy above the nest and, with the
curved tips of the leaves, frame a sort of alcove wherein the mother
takes up her abode.
It is more than a place of rest after the fatigues of her confinement: it
is a guard-room, an inspection-post where the mother remains sprawling
until the youngsters' exodus. Greatly emaciated by the laying of her
eggs and by her expenditure of silk, she lives only for the protection of
her nest.
Should some vagrant pass near by, she hurries from her watch-tower, lifts
a limb and puts the intruder to flight. If I tease her with a straw, she
parries with big gestures, like those of a prize-fighter. She uses her
fists against my weapon. When I propose to dislodge her in view of
certain experiments, I find some difficulty in doing so. She clings to
the silken floor, she frustrates my attacks, which I am bound to moderate
lest I should injure her. She is no sooner attracted outside than she
stubbornly returns to her post. She declines to leave her treasure.
Public-domain text, read in full here on John Shaqi.
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