When the Banded Epeira's little ones issue from their balloon, they have
long been orphans. There is none to come to their assistance; and they
have not the strength to free themselves unaided. The balloon has to
split automatically and to scatter the youngsters and their flossy
mattress all mixed up together. The Thomisus' wallet, sheathed in leaves
over the greater part of its surface, never bursts; nor does the lid
rise, so carefully is it sealed down. Nevertheless, after the delivery
of the brood, we see, at the edge of the lid, a small, gaping hole, an
exit-window. Who contrived this window, which was not there at first?
The fabric is too thick and tough to have yielded to the twitches of the
feeble little prisoners. It was the mother, therefore, who, feeling her
offspring shuffle impatiently under the silken ceiling, herself made a
hole in the bag. She persists in living for five or six weeks, despite
her shattered health, so as to give a last helping hand and open the door
for her family. After performing this duty, she gently lets herself die,
hugging her nest and turning into a shrivelled relic.
When July comes, the little ones emerge. In view of their acrobatic
habits, I have placed a bundle of slender twigs at the top of the cage in
which they were born. All of them pass through the wire gauze and form a
group on the summit of the brushwood, where they swiftly weave a spacious
lounge of criss-cross threads. Here they remain, pretty quietly, for a
day or two; then foot-bridges begin to be flung from one object to the
next. This is the opportune moment.
I put the bunch laden with beasties on a small table, in the shade,
before the open window. Soon, the exodus commences, but slowly and
unsteadily. There are hesitations, retrogressions, perpendicular falls
at the end of a thread, ascents that bring the hanging Spider up again.
In short much ado for a poor result.
As matters continue to drag, it occurs to me, at eleven o'clock, to take
the bundle of brushwood swarming with the little Spiders, all eager to be
off, and place it on the window-sill, in the glare of the sun. After a
few minutes of heat and light, the scene assumes a very different aspect.
The emigrants run to the top of the twigs, bustle about actively. It
becomes a bewildering rope-yard, where thousands of legs are drawing the
hemp from the spinnerets. I do not see the ropes manufactured and sent
floating at the mercy of the air; but I guess their presence.
Three or four Spiders start at a time, each going her own way in
directions independent of her neighbours'. All are moving upwards, all
are climbing some support, as can be perceived by the nimble motion of
their legs. Moreover, the road is visible behind the climber, it is of
double thickness, thanks to an added thread. Then, at a certain height,
individual movement ceases. The tiny animal soars in space and shines,
lit up by the sun. Softly it sways, then suddenly takes flight.
Public-domain text, read in full here on John Shaqi.
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