The laying of the radii is finished. The Spider takes her place in the
centre, on the little cushion formed of the inaugural signpost and the
bits of thread left over. Stationed on this support, she slowly turns
round and round. She is engaged on a delicate piece of work. With an
extremely thin thread, she describes from spoke to spoke, starting from
the centre, a spiral line with very close coils. The central space thus
worked attains, in the adults' webs, the dimensions of the palm of one's
hand; in the younger Spiders' webs, it is much smaller, but it is never
absent. For reasons which I will explain in the course of this study, I
shall call it, in future, the 'resting-floor.'
The thread now becomes thicker. The first could hardly be seen; the
second is plainly visible. The Spider shifts her position with great
slanting strides, turns a few times, moving farther and farther from the
centre, fixes her line each time to the spoke which she crosses and at
last comes to a stop at the lower edge of the frame. She has described a
spiral with coils of rapidly-increasing width. The average distance
between the coils, even in the structures of the young Epeirae, is one
centimetre. {29}
Let us not be misled by the word 'spiral,' which conveys the notion of a
curved line. All curves are banished from the Spiders' work; nothing is
used but the straight line and its combinations. All that is aimed at is
a polygonal line drawn in a curve as geometry understands it. To this
polygonal line, a work destined to disappear as the real toils are woven,
I will give the name of the 'auxiliary spiral.' Its object is to supply
cross-bars, supporting rungs, especially in the outer zone, where the
radii are too distant from one another to afford a suitable groundwork.
Its object is also to guide the Epeira in the extremely delicate business
which she is now about to undertake.
But, before that, one last task becomes essential. The area occupied by
the spokes is very irregular, being marked out by the supports of the
branch, which are infinitely variable. There are angular niches which,
if skirted too closely, would disturb the symmetry of the web about to be
constructed. The Epeira needs an exact space wherein gradually to lay
her spiral thread. Moreover, she must not leave any gaps through which
her prey might find an outlet.
An expert in these matters, the Spider soon knows the corners that have
to be filled up. With an alternating movement, first in this direction,
then in that, she lays, upon the support of the radii, a thread that
forms two acute angles at the lateral boundaries of the faulty part and
describes a zigzag line not wholly unlike the ornament known as the fret.
Public-domain text, read in full here on John Shaqi.
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