Nothing, perhaps, is less monotonous than the personal life of the Spirit. In its humility and joyous love, its adoration and its industry, it may find self-expression in any one of the countless activities of the world of time. It is both romantic and austere, both adventurous and holy. Full of fluctuation and unearthly colour, it yet has its dark patches as well as its light. Since perfect proof of the supersensual is beyond the span of human consciousness, the element of risk can never be eliminated: we are obliged in the end to trust the universe and live by faith. Therefore the awakened soul must often suffer perplexity, share to the utmost the stress and anguish of the physical order; and, chained as it is to a consciousness accustomed to respond to that order, must still be content with flashes of understanding and willing to bear long periods of destitution when the light is veiled. The further it advances the more bitter will these periods of destitution seem to it. It is not from the real men and women of the Spirit that we hear soft things about the comfort of faith. For the true life of faith gives everything worth having and takes everything worth offering: with unrelenting blows it welds the self into the stuff of the universe, subduing it to the universal purpose, doing away with the flame of separation. Though joy and inward peace even in desolation are dominant marks of those who have grown up into it, still it offers to none a succession of supersensual delights. The life of the Spirit involves the sublimation of that pleasure-pain rhythm which is characteristic of normal consciousness, and if for it pleasure becomes joy, pain becomes the Cross. Toil, abnegation, sacrifice, are therefore of its essence; but these are not felt as a heavy burden, because they are the expression of love. It entails a willed tension and choice, a noble power of refusal, which are not entirely covered by being "in tune with the Infinite." As our life comes to maturity we discover to our confusion that human ears can pick up from the Infinite many incompatible tunes, but cannot hear the whole symphony. And the melody confided to our care, the one which we alone perhaps can contribute and which taxes our powers to the full, has in it not only the notes of triumph but the notes of pain. The distinctive mark therefore is not happiness but vocation: work demanded and power given, but given only on condition that we spend it and ourselves on others without stint. These propositions, of course, are easily illustrated from history: but we can also illustrate them in our own persons if we choose.