Whether it settle on the holm-oak or on the common oak, the insect
begins by incising the leaf, at some distance from the base, to the
right and left of the median vein, while respecting the vein itself,
which will provide a solid attachment. Then the Apoderus’ method is
repeated: the leaf, rendered more tractable by the two incisions, is
folded lengthwise, with the upper surface inside. All these
leaf-rollers, cigar-makers and coopers alike, know how to overcome the
resilience of a leaf by means of punctures or incisions; all are
thoroughly versed in that principle of statics according to which the
surface whose elasticity is the greater will be found on the convex
aspect of the curve.
Between the two sheets which touch, the egg is laid, again one egg.
Then the double leaf is rolled from the tip to the attachment. The
indentations, the serrations of the last fold are sealed down by the
patient pressure of the snout; the two mouths of the cylinder are
closed by turning the edges in. It is finished. The barrel is
completed, about two-fifths of an inch long and hooped at its fixed end
by the median vein. It is small but strong and not devoid of elegance.
The thick-set cooper has her merits, which I should like to elucidate
more fully by watching her at work. What I have contrived to see in the
open, in the actual workshop, amounts to little more than nothing. Many
a time do I surprise the Weevil on her cask, motionless, with her snout
against the staves. What is she doing there? She is sleeping in the
sunlight; she is waiting for the last layer of the work to acquire a
firm hold under prolonged pressure. If I examine her too closely, she
at once gathers her legs under her belly and lets herself fall.
Since my visits tell me hardly anything, I try to rear the insect in
domesticity. The Attelabus lends herself very well to the attempt: she
works under my bell-jars as zealously as on her oak. What I now learn
deprives me of all hope of following the details of the leaf-rolling
process: the Attelabus is one of those who work at night.
Late in the evening, about nine or ten o’clock, she gives the cuts of
the scissors that slash the leaf; next morning the keg is finished.
Seen by the uncertain light of a lamp and at untimely hours, hours
rightly claimed by sleep, the worker’s delicate technique would escape
me. We will give up the idea.
Public-domain text, read in full here on John Shaqi.
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