The Life of Tolstoy: First Fifty Years: Fifth EditionMaude, Aylmer
General
The Life of Tolstoy: First Fifty Years: Fifth Edition
Maude, Aylmer
Tolstoy, Leo, graf, 1828-1910
At Hyères, after his brother's death, Tolstoy lived with his sister
and her three children in a _pension_ where the only other lodgers
were a Madame Pláksin and her delicate nine-year-old son Sergéy, whose
lungs were thought to be affected, but who lived to become a poet
and to publish his recollections of Tolstoy. Pláksin describes him
as having been at that time a strongly built, broad-shouldered man,
with a good-natured smile on his face, which was fringed by a thick,
dark-brown beard. Under a large forehead, still bearing a deep scar
from the wound inflicted by the bear two years before, wise, kind eyes
shone out of very deep sockets. 'Tolstoy,' says Pláksin, 'was the soul
of our little society, and I never saw him dull; on the contrary, he
liked to amuse us with his stories, which were sometimes extremely
fantastic.' Tolstoy rose early, and while he was at work the children
were not allowed to disturb him beyond running in for a moment to say
'good-morning.' Being himself an indefatigable walker, Tolstoy used to
plan out excursions for the company, constantly discovering new places
to visit: the salterns on the peninsula of Porquerolle; the holy hill
where the chapel with the wonder-working image of the Madonna stands;
or the ruins of the castle called _Trou des Fées_. They used to have
with them on these excursions, a small ass carrying provisions, fruit
and wine.
On the way Tolstoy used to tell us various tales; I remember one
about a golden horse and a giant tree, from the top of which all
the seas and all towns were visible. Knowing that my lungs were
delicate, he often took me on his shoulder and continued his tale
as he walked along. Need I say that we would have laid down our
lives for him?
At dinner-time Tolstoy used to tell the French proprietors of the
_pension_ the strangest stories about Russia, which they never knew
whether or not to believe until the Countess or Madame Pláksin came to
their rescue by separating the truth from the fiction.
After dinner, either on the terrace or indoors, a performance
commenced, opera or ballet, to the sound of the piano: the children
'mercilessly tormenting the ears of the audience' (which consisted of
the two ladies, Tolstoy, and Pláksin's nurse). Next came gymnastic
exercises, in which Tolstoy acted as professor. 'He would lie at full
length on the floor, making us do the same, and we had then to get up
without using our hands.' He also contrived an apparatus out of rope,
which he fixed up in the doorway; and on this he performed somersaults,
to the great delight of his juvenile audience.
When the latter became too turbulent and the ladies begged Tolstoy to
subdue the noise, he would set the children round the table, and tell
them to bring pens and ink.
The following is an example of the sort of occupation he provided:
'Listen,' said he one day; 'I am going to give you a lesson.'
'What on?' demanded bright-eyed Lisa.
Public-domain text, read in full here on John Shaqi.
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