The Life of Tolstoy: First Fifty Years: Fifth EditionMaude, Aylmer
General
The Life of Tolstoy: First Fifty Years: Fifth Edition
Maude, Aylmer
Tolstoy, Leo, graf, 1828-1910
I feel sure the stultifying effects of such cruel and senseless
treatment would have been even more serious, had not the school
authorities, by some strange oversight, allowed _one_ really readable
and interesting periodical to find a place among the Sunday magazines
and other sterilised literature obtainable in the School Library. This
one publication, which I read ardently during my school years, was
_Chambers's Journal_. It contained novels by James Payn, and other
matter suited to my powers of mental digestion. From smuggled copies of
Captain Marryat's novels I also got a good deal of culture: far more, I
am sure, than from any of the lessons we endured.
CHIEF AUTHORITIES FOR CHAPTER VIII
Tolstoy's Educational articles, and N. V. Ouspensky, _Iz Proshlago_.
CHAPTER IX
MARRIAGE
The Behrs visit Yásnaya. Proposal by thought-reading. The Diary.
Marriage. Ministers on magazine. The school closed and the magazine
stopped. Family happiness. Health. Fet's visit. Sergius born. Children.
_The Cossacks_ and _Polikoúshka_. Bees. Plays. _Confession._ Saving the
hay. _Decembrists._ Samára. Preparations for _War and Peace_. Collected
edition. Translations. Dislocates arm. Tatiána born. Fears of famine.
Sergius (brother) and Tánya Behrs. Nikólsky. Visits Borodinó. Tolstoy
at home and with the children. Relations with servants. Masquerade.
Moscow. Drawing school. Sculpture. Ilyá born. Pleads at court-martial.
Dr. Zahárin. _Smoke._ Fet's Literary Evening. _War and Peace._
Schopenhauer. Pénza. Death of V. P. Bótkin. The Countess and the
children's education. English nurse. Tolstoy's habits. Visitors. Fet.
Tolstoy's ardour. Property. Untidiness. Respect for sleep. Newspapers.
Characteristics. Studies the drama.
TO one who admires Tolstoy's educational work, it is somewhat
disconcerting to see how scornfully he spoke of it sixteen years later
in his _Confession_. But that is always his way: the old is useless and
worthless and bad; only the new, the unachieved, the fresh ideal, is
admirable. For it, he decries all that the past has produced--including
himself and his former work. He makes his points broadly and
powerfully, but to understand, we must discriminate, and allow for an
artistic temperament tempting him to exaggerate. Let him however speak
for himself, that the reader may judge:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account