The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by HimselfGalt, John
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The Life, Studies, and Works of Benjamin West, Esq.: Composed from Materials Furnished by Himself
Galt, John
West, Benjamin, 1738-1820
The idea of the Indians being in possession of hieroglyphical writings, is
calculated to lead us to form a very different opinion of them to that
which is usually entertained by the world. Except in the mere enjoyments
of sense, they do not appear to be inferior to the rest of mankind; and
their notions of moral dignity are exactly those which are recommended to
our imitation by the literature of all antiquity. But they have a
systematic contempt for whatever either tends to increase their troubles,
to encumber the freedom of their motions, or to fix them to settled
habitations. In their unsheltered nakedness, they have a prouder
consciousness of their importance in the scale of beings, than the
philosophers of Europe, with all their multiplicity of sensual and
intellectual gratifications, to supply which so many of the human race are
degraded from their natural equality. The Indian, however, is not
deficient in mental enjoyments, or a stranger to the exercise of the
dignified faculties of our common nature. He delivers himself on suitable
occasions with a majesty of eloquence that would beggar the oratory of the
parliaments, and the pulpits of Christendom; and his poetry unfolds the
loftiest imagery and sentiment of the epic and the hymn. He considers
himself as the lord of the creation, and regards the starry heaven as his
canopy, and the everlasting mountain as his throne. It would be absurd,
however, to assert with Rousseau, that he is, therefore, better or happier
than civilized man; but it would be equally so to deny him the same sense
of dignity, the same feeling of dishonour, the same love of renown, or
ascribe to his actions in war, and his recreations in peace, baser motives
than to the luxurious warriors and statesmen of Europe. Before Mr. West
left America, an attempt was made to educate three young Indians at New
York; and their progress, notwithstanding that they still retained
something of their original wildness of character, exceeded the utmost
expectations of those who were interested in the experiment. Two of them,
however, in the end, returned to their tribe, but they were rendered
miserable by the contempt with which they were received; and the brother
of the one who remained behind, was so affected with their degradation,
that he came to the city determined to redeem his brother from the
thraldom of civilization. On his arrival he found he had become an actor,
and was fast rising into celebrity on the stage. On learning this
circumstance, the resolute Indian went to the theatre, and seated himself
in the pit. The moment that his brother appeared, he leapt upon the stage,
and drawing his knife, threatened to sacrifice him on the spot unless he
would immediately strip himself naked, and return with him to their home
in the woods. He upbraided him with the meanness of his disposition, in
consenting to make himself a slave. He demanded if he had forgotten that
Public-domain text, read in full here on John Shaqi.
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